Blood, Brutality, and Humor in Tarantino Movies. "Pulp Fiction" and "Inglourious Basterds"

Master's Thesis from the year 2019 in the subject Film Science, 2,7, University of Cologne, English, This thesis gives an analysis of technical as well as contextual items that Tarantino uses time and again in order to produce violent movies and give them his very personal touch. Doing that, he makes use of two basic humor and an abundant amount of violence. It would sound like humor and violence do not go well together. The author argues that Tarantino accomplishes this feat with a seeming effortlessness which could just as well be an elaborate plan to criticize the use of violence and advocate a life free of crime. In order to do that, two scenes from different stages of Tarantino's career were chosen, both personally and cinematically. The first scene that is analyzed is taken from his 1994 independent movie "Pulp Fiction". The second scene analyzed is from "Inglourious Basterds" from 2009. The two films in focus are different in various aspects such as the scenery and setting, the cultural and historical context or sociocultural circumstances at the time of their release, to name a few. This is why they make an excellent contrast to show the differences but also the similarities in Tarantino's work to deduct a development from the comparison. The first focus of the thesis lies on the concept of violence. It gives a brief history both diachronically as well as synchronically. After that, the concept of humor is addressed, and with that why something is perceived as being funny (or maybe not). The idea of alienation between what the viewer or listener expects and what they are actually provided with plays an important role here. A conclusion to this thesis deals with why Tarantino chooses the depiction of (graphic) violence that he is known and famous for. Tarantino changes his modus operandi over the years when it comes to the representation of brutality in his movies. But he stays true to himself in the very core of the k