In this collection of essays, of which four are published here for the first time, Peter Burke explores the theory and practice of what is called "new cultural history." He focuses on the varieties of cultural history which have emerged since the writings of Jacob Burckhardt and Johan Huizinga. No new orthodoxy has emerged to replace the classic model, Burke suggests, despite the importance of innovative approaches inspired by social and cultural anthropology. After discussing the origins and identity of cultural history, Burke explores the social history of dreams and the relation between history and social memory. He presents five case studies addressing topics in the history of early modern Italy. Each is located on the frontiers of cultural history―between learned and popular culture, between the public and the private spheres, and between the serious and the comic. Burke then turns to the encounter between Europe and the New World and to the phenomenon of cultural translation in the etymological, literal, and metaphorical senses of the term. He concludes with two theoretical one on the history of mentalities and one which asks why cultural history seems doomed to fragmentation.
OpenCourser helps millions of learners each year. People visit us to learn workspace skills, ace their exams, and nurture their curiosity.
Our extensive catalog contains over 50,000 courses and twice as many books. Browse by search, by topic, or even by career interests. We'll match you to the right resources quickly.
Find this site helpful? Tell a friend about us.
We're supported by our community of learners. When you purchase or subscribe to courses and programs or purchase books, we may earn a commission from our partners.
Your purchases help us maintain our catalog and keep our servers humming without ads.
Thank you for supporting OpenCourser.