The New Wave in Turkey's Cinema

After the collapse of Turkey’s domestic popular cinema, also known as Yesilcam, in the late 1980s, cinema in the country entered a new phase. Following this painful collapse, after a relatively long period of silence, a new generation of independent directors along with a few members of the older generation directors who insisted on making films despite the unsuitable conditions, emerged. This book brings together ten different articles published for the first time each written about a film made after 2000 in Turkey and argues the emergence of a New Wave in the country’s cinema. In this book you will A Dead Father and His An Introduction by Tage T. E. Luxembourgeus and Mumin Baris A Brief Descent into Liquid Fear in Emin Alper’s Abluka by İlknur Bilir Albü A Photographic Representation of Stillness and Social Life in the Provinces by Saniye İnce With or Without Ana Yurdu in the Context of Existentialist Feminism by M. Elif Demoğlu A Breeze to The Third Cinema by Mehmet Güldoğan Baskı The Horror of the Scapegoats by Sertaç Koyuncu When the coin lands on its edge. Yazı A critical look at a critical film by Tage T. E. Luxembourgeus An Ecocritical Yurt as a Story of Pillage and Homelessness by Aygün Şen The new Milli Semih Kaplanoğlu’s Yusuf Trilogy by Mumin Baris A Movie That Stands Far From The LGBTI’s Struggle in Turkey by Bawer Çakır 9: The Metaphor of Mahalle (Neighbourhood) as Country by Zehra Cerrahoğlu Zıraman