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Audio Post-Production Engineer

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April 11, 2024 4 minute read

Audio Post-Production Engineers are responsible for the sound quality of music and sound effects in movies, television shows, video games, podcasts, and other audio-visual media. They work with directors, producers, and other audio professionals to create the soundscape for a variety of projects. The daily responsibilities of an audio post-production engineer may include:

Recording sound effects

Audio Post-Production Engineers are responsible for recording sound effects for use in audio-visual media. They may use a variety of techniques to capture sound, including using microphones, field recorders, and other audio equipment.

Mixing sound

Audio Post-Production Engineers are also responsible for mixing sound for audio-visual media. Mixing involves adjusting the levels of individual sounds, EQing, and panning to create a cohesive and balanced mix.

Editing sound

Audio Post-Production Engineers may also be responsible for editing sound for audio-visual media. Editing involves removing unwanted noise, trimming audio clips, and assembling the final mix.

Mastering sound

Audio Post-Production Engineers may also be responsible for mastering sound for audio-visual media. Mastering involves making final adjustments to the sound mix to ensure that it sounds its best on all playback systems.

Tools and Equipment

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Salaries for Audio Post-Production Engineer

City
Median
New York
$91,000
San Francisco
$140,000
Seattle
$120,000
See all salaries
City
Median
New York
$91,000
San Francisco
$140,000
Seattle
$120,000
Austin
$95,000
Toronto
$64,000
London
£41,000
Paris
€82,000
Berlin
€69,000
Tel Aviv
₪644,000
Singapore
S$66,000
Beijing
¥101,000
Shanghai
¥133,400
Shenzhen
¥148,000
Bengalaru
₹264,000
Delhi
₹356,000
Bars indicate relevance. All salaries presented are estimates. Completion of this course does not guarantee or imply job placement or career outcomes.

Path to Audio Post-Production Engineer

Reading list

We haven't picked any books for this reading list yet.
Comprehensive overview of the features and functions of digital audio workstations (DAWs). It is an excellent resource for beginners who want to learn how to use DAWs to record, edit, and produce audio.
Practical guide to using DAWs. It covers a wide range of topics, including recording, editing, mixing, and mastering audio.
Comprehensive guide to Logic Pro X, a popular DAW. It covers a wide range of topics, including recording, editing, mixing, and mastering.
Comprehensive guide to the art and science of mastering audio. It covers a wide range of topics, including equalization, compression, limiting, and dithering.
Visual guide to the art of mixing. It includes hundreds of illustrations and diagrams that help readers understand the concepts of mixing.
While not a book that is entirely about DAWs, this book does dedicate a lot of time to different types of DAW software. The book is for intermediate-level readers who want to learn more about the technical aspects of audio mixing, this book is an excellent resource.
Comprehensive guide to the Musical Instrument Digital Interface (MIDI). It covers a wide range of topics, including MIDI messages, MIDI controllers, and MIDI sequencers.
Comprehensive guide to the theory and practice of audio effects. It covers a wide range of topics, including equalization, compression, reverb, and delay.
Practical guide to the art of audio production for film and video. It covers a wide range of topics, including dialogue editing, sound effects, and music scoring.
Is the perfect place to begin for those who are totally new to the subject of music production and DAWs.
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