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Film Professor

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April 2, 2024 3 minute read

Film professors are responsible for teaching film studies courses at colleges and universities. They develop curriculum, deliver lectures, guide students in film theory and practice, and assess student work.

Educational Background and Experience

Film professors must hold at least a master's degree in film studies, filmmaking, or a related field. Many professors also earn a PhD in film studies or a related discipline. Most film professors have professional experience in the film industry, such as working as a filmmaker, film editor, or film critic.

Skills and Knowledge

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Salaries for Film Professor

City
Median
New York
$138,000
San Francisco
$139,000
Seattle
$91,000
See all salaries
City
Median
New York
$138,000
San Francisco
$139,000
Seattle
$91,000
Austin
$122,000
Toronto
$133,000
London
£49,000
Paris
€60,900
Berlin
€86,000
Tel Aviv
₪31,200
Singapore
S$166,000
Beijing
¥160,000
Shanghai
¥232,000
Shenzhen
¥400,000
Bengalaru
₹84,000
Delhi
₹1,250,000
Bars indicate relevance. All salaries presented are estimates. Completion of this course does not guarantee or imply job placement or career outcomes.

Reading list

We've selected some books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in Film Professor.
This foundational text widely used in undergraduate film studies programs. It provides a comprehensive overview of film form, style, genre, and analysis, making it ideal for gaining a broad understanding. The book is richly illustrated with film stills, making complex concepts accessible. It serves as an excellent reference tool throughout one's studies.
A collection of seminal essays by one of the most influential film critics and theorists. Bazin's work is considered a classic and is fundamental for understanding the ontology of film and the principles of neorealism. This must-read for anyone serious about film theory, offering profound insights into the nature of the cinematic image. It's more valuable as foundational reading than a current reference.
This highly influential essay cornerstone of feminist film theory, introducing the concept of the 'male gaze.' While a concise work, its impact is vast and it's a must-read for understanding gender representation in film. It's often included in anthologies and is crucial for contemporary discussions in film analysis.
Kracauer's classic text explores the unique capabilities of the film medium, particularly its relationship to reality. It's a key work in classical film theory and provides a strong theoretical foundation. is important for understanding the historical development of film analysis and its philosophical underpinnings. It's a classic that provides essential background knowledge.
A foundational text in montage theory, Eisenstein's essays are crucial for understanding the power of editing in constructing meaning in film. classic for film students and scholars interested in the technical and theoretical aspects of filmmaking. It provides essential historical and theoretical background.
This comprehensive textbook covers key issues and concepts in film studies, historical development, and national cinemas, alongside various theories and theorists. It's a broad introduction suitable for undergraduate students. It provides a wide-ranging overview of the field of film studies.
Tracing the evolution of film theory in the post-WWII era, this book is essential for graduate students and researchers. It delves into various theoretical movements and their impact on film studies. While not a recent publication, it's a crucial historical overview of the field's intellectual development. It provides significant depth to understanding the lineage of film analysis.
A critical biography of one of the most famous and influential Italian filmmakers of all time. Provides insights into Fellini's creative process and the themes that he explored in his films.
This textbook provides a practical approach to film analysis, focusing on techniques and how they create meaning in narrative film. It includes case studies and examples, making it useful for developing analytical skills. It's a good resource for hands-on learning of film analysis.
This edited collection offers a range of critical perspectives on film, covering various theoretical approaches and their application to film analysis. It's a good resource for exploring different methodologies at the undergraduate and graduate levels. It demonstrates how various critical lenses can be applied to understand film.
Offers a succinct introduction to film analysis, emphasizing close reading of films. It includes interviews with film practitioners and screening questions to encourage active analysis. It's a practical guide for developing analytical skills.
Focuses on the fundamental techniques and approaches to analyzing film. It's suitable for beginners and those looking to build a solid foundation in the practical aspects of film analysis. It provides clear guidance on how to approach a film analytically.
This anthology features a collection of essays analyzing a diverse range of films, providing practical examples of film analysis in action. It's a valuable resource for students learning to write film analysis and for exploring different critical interpretations. It serves as a good reference for applied film analysis.
A study of the giallo genre, a type of Italian horror film that emerged in the 1960s. Explores the genre's conventions, its relationship to other horror genres, and its influence on popular culture.
This collection explores contemporary issues in global art cinema, offering new theoretical and historical perspectives. It's relevant for advanced undergraduate and graduate students interested in world cinema and current trends in film studies. It delves into contemporary topics and expands the scope beyond Hollywood.
This introduction focuses specifically on contemporary film theories, providing a good entry point into recent theoretical developments. It's suitable for undergraduate students looking to understand post-classical and current theoretical trends. It's a good resource for exploring contemporary ideas in film analysis.
Examines contemporary approaches to screen studies, including adaptation, criticism, and the impact of new technologies. It's relevant for students interested in current debates and evolving areas within film analysis. It addresses contemporary topics and theoretical shifts.
This concise book provides a brief but insightful overview of the history and practice of film criticism. It's a good starting point for understanding the role of criticism in film analysis and its evolution. It's a quick and accessible read for gaining context on film criticism.
While aimed at educators, this book offers valuable insights into pedagogical approaches to film analysis, which can be beneficial for students as well in understanding how film is taught and analyzed academically. It provides a different perspective on the subject matter and can help students understand the learning objectives in film analysis courses.
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