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Film Historian

Film historians are experts on the history of cinema and write about it in books, articles, and online publications. Their work can serve to record and preserve the history of film, shed light on the cultural and social significance of different films, and provide new insights into the filmmaking process.

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Film historians are experts on the history of cinema and write about it in books, articles, and online publications. Their work can serve to record and preserve the history of film, shed light on the cultural and social significance of different films, and provide new insights into the filmmaking process.

Important Facts

Film historians play a crucial role in preserving and interpreting the history of film, researching and writing about films, filmmakers, and the industry itself. This work helps provide a deeper understanding of the art and craft of filmmaking, the evolution of different genres and styles, and the influence of film on society.

Day-to-Day Duties

The work of a film historian can vary depending on their area of specialization and the nature of their projects and research. Some film historians primarily focus on researching and writing about specific filmmakers or genres, while others may concentrate on the history of film as a whole or its role in particular cultural or historical contexts.

Work Environment

Film historians often work in academic settings, such as universities or research institutes, where they have access to libraries, archives, and other resources necessary for their research. They may also work as independent researchers or as writers and editors for film publications, magazines, and journals.

Education and Training

Typically, a film historian will earn a bachelor's degree in film studies, history, or a related area. Many film historians also choose to pursue graduate degrees like master's or Ph.D. degrees to deepen their knowledge and enhance their research skills, which can enhance their opportunities in this field.

Skills and Abilities

Strong analytical and critical thinking skills are essential for film historians, who must be able to evaluate films and other sources of information, identify patterns and themes, and form their own interpretations.

Job Outlook

The job outlook for film historians is expected to be competitive, as the profession often relies on funding from universities, research institutes, or other organizations and institutions. However, there is a growing demand for film historians in academia and the media industry, which can provide opportunities for qualified individuals.

Self-Guided Projects

Individuals who are interested in pursuing a career as a film historian can enhance their knowledge and skills through self-guided projects such as:

  • Watching and analyzing a wide range of films from different eras, genres, and cultures.
  • Reading books, articles, and other publications about film history and theory.
  • Attending film festivals and screenings to engage with films and connect with other film enthusiasts and professionals.
  • Writing essays, reviews, or blog posts about films and film-related topics.
  • Volunteering or interning at film archives, museums, or other organizations related to film.

Online Courses

Online courses can provide valuable learning opportunities for film historians, allowing them to explore various aspects of film history, theory, and criticism at their own pace. These courses often feature lecture videos, readings, assignments, and discussions, enabling learners to engage with course materials and interact with instructors and peers.

By taking online courses, film historians can enhance their knowledge and skills in areas such as film analysis, film history, film theory, and film criticism. This can be particularly beneficial for individuals who want to pursue further education or advance their careers in the field of film history.

While online courses can provide a solid foundation and supplement knowledge, it's important to note that they may not be sufficient on their own to qualify for certain positions as a film historian. In most cases, a combination of formal education, research experience, and professional networking is necessary to establish a successful career in this field.

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Salaries for Film Historian

City
Median
New York
$134,000
San Francisco
$106,000
Seattle
$89,000
See all salaries
City
Median
New York
$134,000
San Francisco
$106,000
Seattle
$89,000
Austin
$89,000
Toronto
$78,000
London
£45,000
Paris
€43,500
Berlin
€72,000
Tel Aviv
₪50,700
Singapore
S$84,000
Beijing
¥220,000
Shanghai
¥94,000
Shenzhen
¥17,600
Bengalaru
₹269,000
Delhi
₹353,000
Bars indicate relevance. All salaries presented are estimates. Completion of this course does not guarantee or imply job placement or career outcomes.

Reading list

We haven't picked any books for this reading list yet.
A comprehensive and authoritative history of Italian cinema from its beginnings to the present day. Essential reading for anyone interested in the history of cinema.
A survey of Italian cinema from the end of World War II to the mid-1990s. Provides an overview of the major trends and movements in Italian cinema during this period.
Explores the aesthetic dimensions of film, focusing on the visual, auditory, and narrative elements that contribute to the meaning and impact of cinematic works. It provides a theoretical framework for understanding and analyzing the aesthetic qualities of film.
This foundational text introduces the essential concepts and frameworks of film theory, covering topics such as semiotics, psychoanalysis, and feminism. It provides a solid grounding for further exploration of the field.
This seminal work by Sergei Eisenstein, a pioneer of Soviet cinema, explores the theory and practice of montage, a film editing technique that he developed. It provides a foundational understanding of the role of editing in shaping the narrative and aesthetic structure of films.
A critical biography of one of the most famous and influential Italian filmmakers of all time. Provides insights into Fellini's creative process and the themes that he explored in his films.
This collection of essays explores the philosophical dimensions of film, delving into questions of representation, reality, and ethics. It offers a thought-provoking examination of the nature and significance of film as an art form.
A critical analysis of the work of another major Italian filmmaker. Provides insights into the social and political themes that Visconti explored in his films.
A detailed study of the work of one of the most important Italian filmmakers of all time. Essential reading for anyone interested in Italian neorealism.
A critical analysis of the work of one of the most important Italian filmmakers of the postwar period. Provides insights into the themes and techniques that Antonioni employed in his films.
Provides a comprehensive overview of film technology, covering the technical aspects of filmmaking, from camera and lighting to editing and sound. It offers a practical understanding of the tools and techniques used in film production.
Examines the complex relationship between race and film, exploring how race is represented and constructed in cinematic works. It provides a critical understanding of the racial dimensions of film and its impact on society.
Explores the phenomenological approach to film studies, focusing on the experience of the viewer and the relationship between film and reality. It provides a unique perspective on the ways in which film engages the senses and emotions.
Explores the contributions of women filmmakers to the field, examining their unique perspectives and experiences. It sheds light on the challenges and triumphs faced by women in the film industry and highlights their impact on film history.
A survey of Italian cinema during the 1960s, a period of great creativity and innovation. Examines the major trends and movements in Italian cinema during this period.
A survey of Italian cinema during the 1980s, a period of economic and social change. Examines the major trends and movements in Italian cinema during this period.
Examines the concept of auteur theory, which focuses on the director as the primary creative force behind a film. It explores the history and development of the theory and its influence on film criticism and analysis.
A study of the giallo genre, a type of Italian horror film that emerged in the 1960s. Explores the genre's conventions, its relationship to other horror genres, and its influence on popular culture.
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