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Ben Hewlett

How to get into an Irish Music Session with confidence.

Take this course and play in Irish sessions instantly. No musical experience needed.

After studying this course you will want to go to an Irish session and sit it to see how it feels. If you want to just go and watch a few times that will work. You can always record the music (with permission) and practise at home before returning ready to play.

You can practise with recorded music as well and the BBC has a very good 'Virtual Session you can use - please google it as I can't put external links here unfortunately.

Read more

How to get into an Irish Music Session with confidence.

Take this course and play in Irish sessions instantly. No musical experience needed.

After studying this course you will want to go to an Irish session and sit it to see how it feels. If you want to just go and watch a few times that will work. You can always record the music (with permission) and practise at home before returning ready to play.

You can practise with recorded music as well and the BBC has a very good 'Virtual Session you can use - please google it as I can't put external links here unfortunately.

You will pick it up straight away without needing any music skills. These instruments are easy to play at a basic but effective level and really fun to learn. You will be proud of your achievements and happy with the results.

This is a new course where you learn one simple idea per lecture. You will find it is taught in a friendly and encouraging manner and most importantly is it taught v-e-r-y s-l-o-w-l-y.

'Ben Hewlett is a very experienced music teacher who is able to be very patient and methodical. Each lecture will introduce you to the next rhythm or technique – usually just one new idea and that's it.

You'll know Ben better as a harmonica teacher but he studied Bodhrah and tin whistle in the 1990's with the now very famous Steafan Hannigan and Marc Moggy from Renegade Rhythms. He got so into Bodhran he bought an expensive tuneable drum from Marc and it works better than ever to this day. Ben has played Bodhran in bands and sessions for years and even has a Senheiser bass drum microphone embedded into his drum for live amplified work.

Ben is an experienced teacher and uses his skills to get the message across to you in a clear and concise way.'

This method is very easy for you to pick up the rhythms and techniques as they are repeated over and over again until you have got it. You can even re-run the video if you find it useful.

Imagine how amazing it will feel when you whip out your instruments and play this tune – your friends and family will carry you shoulder high in triumph. Hopefully they don't carry you out of town and dump you in the river, but hey, swimming's good as well.

The health benefits of playing the music are well documented – google it. Playing music makes you smarter they say.

You will have fun on your own and with your friends, and more power to the brain will make you think you are having a good time so it's all good.

Enroll now

What's inside

Learning objectives

  • Loads of new techniques to help you join in an irish music session
  • Feel totally confident to go to an irish session and join in without getting thrown out!
  • Play several instruments with a proper rhythmic integrity
  • Enhance any social live music gathering with the skills learn in this course

Syllabus

Introduction and overview of the course

Would you like to join in and play in a live session without making a fool of yourself?

This course will give you the tools.

Please let me know how you get on and if there are any follow up or extension ideas (courses) you would like me you do.

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The humble egg shaker.

Get yourself a nice heavy one, the contents need to be heavy so they hit the wall with impact.

It's very easy to make one if you don't have one - something like a kinder egg or a food box - anything really will do it.

Find something heavy to go inside and bingo you've got yourself a shaker.

Hold it as shown in the video.

Keep your wrist fused so your arm is pretty much straight.

Move your arm back and forth without stopping.

Emphasise beat 1 for a reel. You can vary it to beats 1 and 3 or even 2 and 4 for a lighter feel.

Bones.

Rhythm bones.

You can buy them quite cheaply or make them from wood or even bone without too much difficulty.

Put a rubber band on one bone and hold it between your middle and ring fingers very loosely - dangling.

Hold the other one firmly as shown on the video.

Twist it to the right and the left as demonstrated to make the sound.

Playing jigs is easier than reels so that's what I demonstrate in the video.

You will need a bodhran for this part.

Or a tambourine or any frame drum.

Actually you can practice on a hardback book and a pen for the moment.

We are learning to play a reel in this lecture.

4 beats to the bar.

Play beat 1 louder.

A waltz is 3 beats with the heavy accent on beat 1.

A jig is like a fast double waltz and has 6 beats with the accent on beats 1 and 4.

The Dan Moi is another easy instrument to play.

Any jews harp will do although the lip played dan moi are easier in my opinion.

I'm using one in G but anything will do for now.

I get mine from soundforhealth.com - they are really cheap and great fun to play.

Hold it in the left hand and pluck the pointy end with your right thumb pushing it away from you.

BE CAREFUL NOT TO SPIKE YOUR TONGUE.

I'll show you how to play in the video.

Grab yourself a harmonica.

Put your mouth over holes 1 and 2 or even 3 as well and follow the instructions.

You simply breathe out and in the get the chord pattern.

Please watch the video for detailed instructions.

Spoons.

So many different types of spoon are available.

I'm using silver ones here but they don't feel comfortable - I might re-film that with plastic spoons.

Plastic spoons have a better sound to me and are much easier to play so I would recommend trying different types and sizes. I might re-film this with plastic spoons to show how easy they are to play.

Wooden spoons can be great as well.

In this video we learn the roll (across your outstretched fingers) and a decorative flick which can be used as a triplet and works really nicely in jigs.

So that's the course wrapped up.

You should now have enough skills on some of these instruments to go to a session and make some great contributions to the group!

Please let me know how you get on and if there are any follow up or extension ideas (courses) you would like me you do.

Traffic lights

Read about what's good
what should give you pause
and possible dealbreakers
Introduces several accessible instruments like the shaker egg, bones, and spoons, which require minimal prior musical training and are easy to learn quickly
Focuses on rhythm and basic techniques, which are essential for participating in Irish music sessions and provide a solid foundation for further musical exploration
Emphasizes a slow and patient teaching style, which is beneficial for beginners who may feel intimidated by the prospect of learning new instruments and musical styles
Recommends specific resources like the BBC's 'Virtual Session,' which can help learners practice and develop their skills outside of the course material
Requires learners to acquire instruments such as a bodhran, bones, jew's harp, harmonica, and spoons, which may pose a financial barrier for some students
Instructs learners on how to play the jew's harp, and explicitly warns them to be careful not to spike their tongue, which may be alarming to some learners

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Reviews summary

Play irish session rhythms

No student reviews were provided for this course. Based solely on the course description and syllabus, learners can expect an introduction to playing rhythmic accompaniment in Irish music sessions. The course emphasizes that no musical experience is needed and promises skills to join sessions with confidence relatively instantly. It covers playing rhythms on instruments like egg shakers, bones, bodhran, jews harp, harmonica, and spoons. The teaching method is described as very slow and methodical, breaking down concepts into simple ideas per lecture with repetition. The instructor is highlighted as experienced and patient. The goal is to enable participation and enhance social live music gatherings.
Needs shaker, bones, bodhran, harp, spoons.
"Get yourself a nice heavy [egg] shaker."
"You will need a bodhran for this part."
"Grab yourself a harmonica... So many different types of spoon are available."
Covers basics for non-melodic session instruments.
"Covers rhythms on egg shaker, bones, bodhran."
"Also includes jews harp, harmonica, and spoons."
"Learn to play several instruments with a proper rhythmic integrity."
Instructor described as patient and experienced.
"Ben Hewlett is a very experienced music teacher who is able to be very patient and methodical."
"Ben is an experienced teacher and uses his skills to get the message across to you in a clear and concise way."
Aims to build confidence for joining sessions.
"How to get into an Irish Music Session with confidence."
"feel totally confident to go to an Irish session and join in without getting thrown out!"
"You should now have enough skills on some of these instruments to go to a session and make some great contributions."
Instruction pace is very slow and repetitive.
"it is taught v-e-r-y s-l-o-w-l-y."
"Each lecture will introduce you to the next rhythm or technique – usually just one new idea."
"This method is very easy for you to pick up the rhythms and techniques as they are repeated over and over again."
Designed for those with no musical background.
"No musical experience needed for this course."
"You will pick it up straight away without needing any music skills."
"This method is very easy for you to pick up."

Activities

Be better prepared before your course. Deepen your understanding during and after it. Supplement your coursework and achieve mastery of the topics covered in How to play in a local Irish music session with confidence with these activities:
Review Basic Music Theory
Strengthen your understanding of fundamental music concepts like rhythm, time signatures, and chord progressions, which will make it easier to follow along in sessions and contribute meaningfully.
Browse courses on Music Theory
Show steps
  • Review the basics of rhythm and time signatures.
  • Familiarize yourself with common chord progressions.
  • Practice identifying intervals and scales by ear.
Read 'The Complete Irish Tin Whistle Tutor'
Learn the basics of the tin whistle, a common instrument in Irish music, to prepare for playing in sessions.
Show steps
  • Obtain a copy of 'The Complete Irish Tin Whistle Tutor'.
  • Work through the exercises and tunes in the book.
  • Practice playing along with recordings of Irish music.
Create a Session Survival Guide
Compile a list of common tunes, session etiquette tips, and instrument-specific advice to help you navigate your first few sessions with confidence.
Show steps
  • Research common tunes played in local Irish music sessions.
  • Document session etiquette and best practices.
  • Gather instrument-specific tips and resources.
Four other activities
Expand to see all activities and additional details
Show all seven activities
Practice with Other Musicians
Find other musicians interested in Irish music and practice playing together to improve your timing, coordination, and ability to follow along in a session.
Show steps
  • Find local musicians interested in Irish music.
  • Schedule regular practice sessions.
  • Focus on playing common session tunes together.
Record Yourself Playing
Record yourself playing along with session tunes and review the recordings to identify areas for improvement in your timing, rhythm, and technique.
Show steps
  • Record yourself playing along with session tunes.
  • Review the recordings critically.
  • Identify areas for improvement and focus on those.
Attend Local Irish Music Sessions
Immerse yourself in the local Irish music scene by attending sessions, observing experienced musicians, and gradually joining in when you feel comfortable.
Show steps
  • Find local Irish music sessions in your area.
  • Attend sessions regularly and observe the musicians.
  • Gradually join in when you feel comfortable.
Explore 'Irish Music: A Very Short Introduction'
Gain a deeper understanding of the history and cultural context of Irish music to enhance your appreciation and participation in sessions.
View Pipe Dreams on Amazon
Show steps
  • Obtain a copy of 'Irish Music: A Very Short Introduction'.
  • Read the book to learn about the history and cultural context of Irish music.
  • Reflect on how this knowledge enhances your understanding of the music.

Career center

Learners who complete How to play in a local Irish music session with confidence will develop knowledge and skills that may be useful to these careers:
Folk Musician
A Folk Musician performs traditional music at festivals, concerts, and other venues. This course helps a Folk Musician looking to expand their repertoire and knowledge of Irish music. The course’s focus on integrating confidently into Irish music sessions may help a musician connect with other players and enhance their performance skills. The course’s simple ideas per lecture, and repetition may also assist the musician in quickly learning new techniques and rhythms. The course helps to improve overall musicality.
Private Music Instructor
Private Music Instructors provide one-on-one music lessons to students of all ages and skill levels. This course can aid a Private Music Instructor looking to expand their teaching repertoire to include traditional Irish instruments. The course will also facilitate lessons. The instructor will be able to teach concepts more effectively. The course's emphasis on building confidence may help the instructor create a supportive and encouraging learning environment. The course will also greatly assist in overall instruction style.
Community Arts Worker
A Community Arts Worker develops and delivers arts-based projects within a community. This course helps a Community Arts Worker looking to introduce traditional Irish music to a community group. The course's focus on accessible instruments and rhythms may help engage diverse groups. The emphasis on feeling confident in live performance can assist when leading community music sessions. The course’s friendly and encouraging teaching style mirrors the worker's role in facilitating creative expression.
Session Musician
Session Musicians are hired to play on recordings or in live performances. This course helps a Session Musician looking to broaden their skills in traditional Irish music. The course is beneficial in that it emphasizes confident participation in sessions, helping the musician quickly integrate into new playing environments. The course’s accessible approach to learning instruments will allow the musician to learn new instruments. A session musician can use this to become more versatile and marketable.
Ethnomusicologist
An Ethnomusicologist studies the music of different cultures. A course of this kind may benefit an Ethnomusicologist researching Irish traditional music by providing practical experience and a deeper understanding of session dynamics. Ethnomusicologists also study the way that music relates to society, culture, and various social groups. The course facilitates understanding of session dynamics. By emphasizing immediate participation, the course can offer insights into the lived experiences of musicians within this tradition. The course’s accessible approach to learning instruments and rhythms may inform an ethnomusicologist's analysis of musical transmission and cultural learning.
Music Teacher
A Music Teacher instructs students in music theory, performance, and appreciation. This course may be useful to a music teacher looking to incorporate traditional Irish music into their curriculum. The course’s emphasis on rhythm and simple techniques could provide valuable teaching tools, especially for beginner students. Furthermore, the course's focus on building confidence in live performance may help a teacher prepare students for public performances and sessions. The course’s accessible approach to learning instruments may inspire new teaching methods.
Music Therapist
A Music Therapist uses music to address clients' physical, emotional, cognitive, and social needs. A course like this one may benefit a Music Therapist by broadening their understanding of traditional Irish music, which could be valuable in therapeutic settings with clients who connect with this cultural heritage. This course emphasizes confident participation in music sessions, which mirrors the therapist's need to confidently lead and facilitate musical interventions. The focus on rhythmic integrity, across several instruments, may enhance a therapist's musical versatility and ability to connect with clients through rhythm and improvisation.
Music Journalist
Music Journalists write about music for newspapers, magazines, and online publications. This course helps a Music Journalist looking to write about Irish traditional music. The content, which emphasizes practical participation in sessions, will likely inform the journalist's understanding and appreciation of the genre. The course’s accessible approach to learning instruments may assist the journalist in communicating complex musical concepts to a broader audience. The focus on confidence in live performance can enhance the journalist's ability to capture the excitement and energy of live performances.
Recreational Therapist
Recreational Therapists plan, direct, and coordinate recreation-based treatment programs for people with disabilities or illnesses. This course may be useful for a Recreational Therapist who wants to incorporate musical activities into their therapeutic programs. The course's emphasis on accessible instruments—like the bones, spoons, and jews harp—and its focus on easy learning may help a therapist introduce music to clients with varying abilities. The course's approachable teaching style would likely mirror the therapist's role in making activities accessible and enjoyable.
Film Score Composer
Film Score Composers write music for movies and television. This course ensures that Film Score Composers can utilize Irish traditional music within their compositions. Exposure to a variety of instruments, rhythms, and techniques may enhance the composer's palette when creating scores for films set in Ireland or featuring Irish themes. The focus on confident participation can inform the composer's decisions about how to integrate live performance elements into their scores.
Museum curator
Museum Curators manage and interpret collections of artifacts. A Museum Curator specializing in musical instruments or cultural heritage may use this course to inform exhibits on Irish traditional music. The curator applies knowledge of session dynamics with deeper understanding. By emphasizing how to learn instruments and rhythms, the course will likely offer insights into the history, creation, and use of these instruments. The course’s focus on cultural context may help the curator to develop engaging and informative displays.
Choir Director
Choir Directors lead choral groups in rehearsals and performances. This course may be useful for a Choir Director wanting to incorporate elements of traditional Irish music into their choir's repertoire. While the course focuses on instrumental music, the emphasis on rhythm and ensemble playing may inform the director's approach to vocal arrangements. The course's consideration of confidence in live performance will help the director prepare the choir for public performances. The course’s friendly and encouraging teaching style may inspire new rehearsal techniques.
Orchestrator
Orchestrators arrange musical compositions for orchestra. This course may benefit an Orchestrator looking to incorporate elements of Irish traditional music into their arrangements. An orchestrator will be able to write more authentic music. The course’s emphasis on rhythm and ensemble playing informs decisions about instrumentation and texture. The exposure to simple techniques may allow the orchestrator to blend traditional Irish sounds with larger orchestral forces.
Arts Administrator
Arts Administrators manage the operations of arts organizations. This course may be useful for an Arts Administrator working with a music organization or festival. Knowing how to play, one gains enhanced perspectives on the needs and interests of musicians. The course’s emphasis on participation and accessibility will allow the administrator to create inclusive and engaging programs. The course may help the administrator develop a passion for connecting people with the arts.
Sound Engineer
Sound Engineers record, mix, and master audio for various media. Gaining experience in playing a traditional Irish instrument may broaden a sound engineer's understanding of the unique acoustic challenges and nuances of recording live Irish music sessions, whether in studio or on location. The course's emphasis on rhythmic integrity and ensemble playing can inform mixing decisions, helping to capture the authentic feel of a session. The engineer will be more effective with this skill.

Reading list

We've selected two books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in How to play in a local Irish music session with confidence.
Provides a concise overview of the history, culture, and traditions of Irish music. It's a great introduction for anyone interested in learning more about the context of the music they're playing. It provides valuable background information and enhances the understanding of the music's cultural significance. It is more valuable as additional reading than as a current reference.
Comprehensive guide to playing the Irish tin whistle, covering basic techniques, ornamentation, and a wide selection of tunes. It's perfect for beginners and intermediate players looking to expand their repertoire and improve their skills. Given the course's focus on accessible instruments, this book provides a solid foundation for playing traditional Irish music. It serves as a valuable reference for learning tunes and techniques.

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