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Thomas Popp

You’ve got the script, you’ve got the camera guy, you’ve even got the actors...

You want great sound because your project will look better the second it sounds better. Learn to use lavaliers the right way by learning tips the pros know. You might be surprised; a simple adjustment in your technique could save you hours in post-production.

Features:

Over 150 pages of information on how to capture better sound on your next project Step by step videos broken down by talent’s wardrobe

Read more

You’ve got the script, you’ve got the camera guy, you’ve even got the actors...

You want great sound because your project will look better the second it sounds better. Learn to use lavaliers the right way by learning tips the pros know. You might be surprised; a simple adjustment in your technique could save you hours in post-production.

Features:

Over 150 pages of information on how to capture better sound on your next project Step by step videos broken down by talent’s wardrobe

Learn about the different sound qualities between a shotgun microphone and a lavalier Learn set etiquette

Get acquainted with the tools you will need to get the job done right and how to use them effectively

You Want to Get the Job Done Right.

Video Mantis’: Down to the Wire Author and Professional Sound Guy Thomas Popp, gives you an in-depth, comprehensive look at using lavaliers in a professional and practical way to achieve the highest quality sound you can get on your project.

Thomas’ detailed examples and meticulous instruction coupled with step-by-step videos provide the reader with clear and concise visual demonstrations set up for an easy user experience and visual hands-on technique duplication.

Who is Down to the Wire For?

If you are barely starting your career in production, or are a seasoned sound professional who is eager to learn some tips and tricks, Down to the Wire is for you.

Use it as a book you read and reference, or as a quick go-to guide if you get caught thinking twice about how to wire a specific wardrobe.

By the end of Down to the Wire you will feel confident in your ability to capture high quality sound by proper mic placement by scenario. The various examples of production tools, techniques, photos, and videos make for a detailed approach into teaching you how to wire with ease. The sound on your production just got a little clearer.

What People are Saying:

"I have worked as a production sound mixer for over 40 years and this is the most comprehensive and engaging tutorial I have ever encountered this is a must read for anyone working in our industry and having to place lavaliere microphones (and that is just about everyone who needs to record sound for picture in today's world). It is actually so much more and I am surprised by how much I learned from reading this book. For the new person just starting out, there is a wealth of valuable information regarding set etiquette, work ethic and responsibility, lessons which if learned early enough will go a long way towards having a successful career in sound. It's a great read. " - Jeff Wexler

"This book is an excellent resource for any location sound professional. In an industry in which the right way to do something is 'the way that works', learning another professional's perspective is simply invaluable.

They say a picture is worth a thousand words, and so too are the great videos in this iBook. You'll get to see what Thomas is doing up close, and the very first time on location that one of his tips saves you and allows you to record flawless sound, the book has paid for itself." - drumteacher

"A must have for the up and coming sound recordist and veteran alike. This ibook contains valuable tips and ticks that are only learned from an industry professional with veteran experience. In depth discussion of professional etiquette for wiring actors and cast members, techniques on how to be prepared for fast paced shoots, multiple techniques for hiding noise free lavaliere mics on a variety of wardrobe, mic placement and, and overall perspective of how to acquire clean production sound. " - Audio Rob

Social media and technology have simplified, improved and increased creativity in our projects, but many have done so while sacrificing the quality of sound. Do not be the next filmmaker with a great vision to be disappointed with the quality of your production’s sound. It is

Learn to Wire Talent Like the Pros will improve the quality of your production sound by teaching you tips the pros know. Learn how to use lavaliers in a professional manner, improve your etiquette skills, and watch video demonstrations of how to wire talent to increase the quality of your audio.

Do NOT be fooled into thinking your camera’s internal mic will give you the quality of sound your production deserves.

So, let’s get Down to the Wire and start recording GREAT sound right from the start.

Enroll now

What's inside

Learning objectives

  • By the end of the course, you will be able to confidently wire any talent that you come across with minimal effort and the best results, which translates to better quality tracks.
  • The course will also teach set etiquette when dealing with talent.

Syllabus

A Note From The "Sound Guy"

Welcome to the course "How to Put A Microphone on Talent". In this video, Thomas Popp will go over the outline of the course.

Read more
Lavaliers

Learn some of the reasons why using Lavaliers is useful in production.

Lets go over the anatomy of a lavalier in detail.

Why Do We Need Lavaliers?

Lets discuss why lavaliers are important.

Scenarios

Lets discuss the different jobs and scenarios where using lavaliers is important.

Standing Ground

When should you use a boom? How about a Lavalier? Find out here!

Lets talk about camera and audio perspective.

Wiring Etiquette

Lets discuss proper wiring etiquette.

Here are some more tips on Wiring Etiquette

That's A Wrap!

Lets talk about the transitions that happen during the day and how it applies to wireless systems.

Tape, Tape, and More Tape!

We use tape on a daily basis. Learn what kinds you should put in your kit!

Accessories

Lets discuss the different micing accessories that will help you get the job done!

Windy Situations

Wind can destroy your sound track. Learn about some of the wind protection options for lavaliers.

Down To The Wire

Lets get Down to the Wire and learn some basic techniques when wiring talent!

Interviews

Lets discuss how lavaliers apply to interviews.

Let's discuss how to properly use a microphone clip.

Wiring Men

Lets discuss the basics of wiring men.

T-Shirts

TRANSPORE

Tear off a piece of Transpore (2” piece)

Place the Transpore on the lavalier just below the diaphragm of the mic Adhere the lavalier to the skin just above the So babylar Plexus


Place a strain relief on the side of the body

Moleskin helps to isolate clothing from the lavalier.Its soft material acts as a barrier between the lavalier and the clothing.

Cut two pieces of Moleskin (1/2 inch x 1 inch)

Stick the Moleskin on to the lavalier just below the diaphragm

Attach the Lavalier on top of the soft (non-sticky) side of the second piece of Moleskin

Adhere the Lavalier to the skin just above the solar plexus

Place a strain relief on the side of the body

Do not make the cable tight!

If you do, If the talent stretches or makes big movements, the strain relief and/or the lavalier will be pulled right off.

UNDERCOVERS

Undercovers offer a quicker wiring solution than moleskin, as they come pre-cut. You may also use these to serve as a barrier between the lav and the clothing.

Place a lavalier near the top portion of a Sticky
Take an Undercover/Overcover and place over the lavalier onto the Sticky Squeeze around the lavalier gently to ensure the Undercover is firmly in place Peel off the backside of the Sticky
Adhere the lavalier to the skin just above the solar plexus
Place a strain relief below the Sticky at the neck of the cable

Place a strain relief on the side of the body

Bunion Cushions are incredible when it comes to sweaty skin because the adhesive is much stronger than on any of the alternatives.

Requires: 2 whole Bunion Cushions

Cut one Bunion Cushion in half horizontally to make two smaller pieces
Place the lavalier on top of the whole Bunion Cushion
Place the sticky side of one half cut Bunion Cushion on top of the lavalier just below the diaphragm and onto a separate whole Bunion Cushion
Peel the backing off of the whole Bunion Cushion and adhere to the skin just above the solar plexus

Make your strain relief and adhere it to the side that will be facing away from the camera. In this case, you can use the other half of the Bunion Cushion that you cut instead of Moleskin as a strain relief if the talent also tends to sweat on their side.

Lav-Straps offer a non-adhesive solution for wiring talent that may be sweaty and active in a scene.

Thread the lavalier inside of the Lav-Strap past the body of the mic
Cut off an extremely small piece of Joe’s Sticky StuffWrap the Joe’s Sticky Stuff around the capsule of the microphone on the middle of the body of the lavalier
Pull the cable of the lavalier until the Joe’s Sticky Stuff starts getting pulled into the Lav-Strap
Position the microphone so the diaphragm is peeking out of the Lav-Strap Gently squeeze the Lav-Strap around the body of the lavalier
Wrap and connect the Lav-Strap around the talent
Position the lavalier to the front of the chest

Thread the cable into the strap for a strain relief

Using moleskin as a backing on a Lav-Strap works extremely well when wiring talent with hairy chests because it acts as a barrier between the hairs and the capsule.

Cut a piece of Moleskin into an rectangle 1” wide and 1 1/2” inch long

Peel the backing offFold the Moleskin over on top of itself, leaving a 1/2” lip

Trim the sides of the Moleskin to make sure there are no sticky sides

Adhere the lip to the back side of the Lav-Strap, allowing the Moleskin to peek over the top of the strap about 1/2”

Wrap and connect the Lav-Strap around the talent

Position the lavalier to the front of the chest

The collar mic is a great option when shirts are extremely tight or thin and you might risk seeing the impression of the lavalier underneath the clothing.

Using a Lav-Bullet, Drop the cable down the actor’s back
Pull enough slack up so the lavalier can rest directly below the neck of the talent Adhere the lavalier horizontally to the inside center of the collar

Tape small strain reliefs every few inches to ensure the cable stays along the run of the collar

Instead of using Moleskin, try preparing a vampire clip. Attach it horizontally to the center of the collar and apply strain relief just like the previous example. Be careful of the collar sticking out obtrusively.

This micing technique must be approved by wardrobe before you begin. It involves cutting a small hole in the actor’s wardrobe. It will also only work with very small capsule lavaliers. Do your best to assure the wardrobe department that this wiring technique is minimally invasive to the wardrobe and the lavalier will never be seen, and work with them to hide it.

Have Wardrobe cut a small hole in the back of the collar from the inside of the neckline that is small enough for the head of the lavalier to poke through

Feed the lavalier into the shirt until the head of the lavalier is near the neck line
Put a piece of Transpore on the back of the collar where the lav is snuck into the shirt. This will keep the lav from sliding back out of the collar

This technique should be considered a last resort for when you are running out of other options. This type of wiring also requires an in depth setup that is more easily done with the wardrobe off of the talent. Have this wiring technique finished before talent arrives.

One quick way that may work, depending on the sweater, is to hide the lavalier in plain sight. If you are using the subminiature lavaliers that are extremely small (compared to normal sized lavaliers), you can sometimes hide them right out in the open without any issues. Just be careful with wind noise on the capsule!

Gently poke the lavalier directly through the woven material at chest level

Tape underneath the sweater with transpore to keep it from coming out more or slipping back inside

Collared Shirts

Place a lavalier near the top portion of a Sticky

Take an Undercover/Overcover and place over the lavalier onto the Sticky Squeeze around the lavalier gently to ensure the Undercover/Overcover is firmly in place
Peel off the backside of the Sticky
Adhere a Stick It! Dot to the Sticky
Using scissors, trim the Overcover to make it rectangular
Peel the Stick It! Dot and adhere it horizontally in the “V” of the shirt, below the buttons

Cut a small piece of Joe’s Sticky Stuff (about a 1/2 a centimeter)

Wrap the adhesive around the lavalier below the diaphragm
Using a Lav-Bullet, drop the connector of the lavalier down the shirt
Adhere the lavalier horizontally in the “V” of the shirt, below the buttons Gently squeeze the shirt around the lavalier to allow the Joe’s Sticky Stuff to adhere securely to the shirt
Tape your strain relief to the shirt on the side of the actor facing away from camera

Remember, sometimes less is more. Joe’s Sticky Stuff will keep the lavalier in place and will help if you see bulging in the “V” section of the shirt.

Dress Shirts

If you have a subminiature lavalier, you may be able to peek the microphone out of a button hole. The lav is so small that it will be practically invisible. Make sure that you use a lavalier thats color is identical to the color of the button, or else it will be noticeable.

Unbutton the third button down from the top of the shirt
Using a Lav-Bullet, drop the connector of the lav down the shirt
Feed the lavalier through the button hole
Adhere a small piece of Joe’s Sticky Stuff (about the size of a pencil tip), to the lavalier below the diaphragm
Button the shirt back up, keeping the lavalier sticking out of the button hole Gently pull the cable of the lavalier from inside the shirt. This will make the head of the mic start traveling back towards the button hole
Stop pulling just as the lavalier sneaks behind the button
Gently squeeze the shirt and button together so Joe’s Sticky Stuff will adhere to the back of the button
Apply strain relief behind the button hole to keep the lavalier from slipping inside of the shirt
Apply an additional strain relief on the inside of the shirt at the bottom, near the belly button

Take two pieces of Moleskin (1/2 inch x 1 inch) and sandwich the lavalier between them

Using a Lav-Bullet, drop the connector of the lavalier down the shirt
Adhere the lavalier horizontally inside the dress shirt just below the third button, facing out of the shirt

Make sure to use an Overcover that matches the color of the shirt as best as possible. Darker colored shirts work well with black Overcovers because they do not make your eyes focus on them. Only use white Overcovers when the talent is wearing a white shirt.

Place a lavalier near the top portion of a Sticky

Take an Overcover and place over the lavalier onto the Sticky

Squeeze around the lavalier gently to ensure the Undercover/Overcover is firmly in place

Peel off the backside of the Sticky

Adhere a Stick It! Dot to the Sticky

Adhere the lavalier horizontally inside the dress shirt just below the third button, facing out of the shirt

Ties

From the front portion of the tie, feed the connector through the bottom of the knot to the top

Pull on the connector in order to feed the cable through, until the lavalier slips inside of the knot

Feed the connector underneath the neck of the tie. Continue to pull on the connecter, as before, to pull all of the slack through. Be careful not to pull the lavalier out of the knot

Tuck the cable around the collar to the back of the neck

Place a piece of Transpore on the cable and adhere it to the talent’s back a few inches below the collar

Wiring a loose tie can be a little bit discouraging, mainly because the knot is dropped down exposing the shirt behind it. This makes it a lot more difficult to wire properly while keeping the mic hidden.

From the front portion of the tie, feed the connector through the bottom of the knot to the top

Slip the connector through the top section of the tie going left

Bring the cable to the back left side of the tie

Tape a strain relief on the back of the tie using Transpore

Using a Lav-Bullet, take the wire and drop it down the front of the shirt behind the buttons

Make sure there is a little bit of slack in the cable that can “give,” to enable the tie be able to move.

Wiring Women

Lets discuss the basics of wiring women.

On The Skin

Take two pieces of Moleskin (1/2 inch x 1 inch)

Stick the Moleskin on to the lavalier just below the diaphragm
Attach the lavalier on top of the soft (non-sticky) side of the second piece of Moleskin Adhere it to the skin in the cleavage
Using Moleskin, adhere a strain relief to the side of the body

Place a lavalier near the top portion of a Sticky

Take an Undercover and place over the lavalier onto the Sticky Squeeze around the lavalier gently to ensure the Undercover is firmly in place Peel off the backside of the Sticky
Adhere the lavalier to the skin in the cleavage
Using Moleskin, place a strain relief below the Sticky at the neck of the cable Place a strain relief on the side of the body

Just like Moleskin, use this tape if it is hot outside and you are working with sweaty actors. Make sure the talent are dry before you put it on their skin.

Rip two pieces of Nexcare Tape (1/2 inch x 1 inch)

Stick one piece of Nexcare Tape on to the lavalier just below the diaphragm Attach the lavalier on top of the non-sticky side of the second piece of Nexcare Attach to the lavalier right below the diaphragm

Adhere it to the skin above the breasts in the cleavage

Make a strain relief for the cable

Requires: 2 Bunion Cushions

Cut one Bunion Cushion in half horizontally to make two smaller pieces Place the lavalier on top of the whole Bunion Cushion

Place the sticky side of the cut Bunion Cushion on top of the lavalier just below the diaphragm and onto the separate whole Bunion Cushion

Peel the backing off of the whole Bunion Cushion and adhere to the skin in the cleavage

Apply a strain relief to the cable

On The Bra

Place the lavalier near the top portion of a Sticky

Take an Undercover/Overcover and place over the lavalier onto the Sticky Squeeze around the lavalier gently to ensure the Undercover/Overcover is firmly in place

Peel off the backside of the Sticky

Adhere a Stick It! Dot to the Sticky

Peel the Stick It! Dot and adhere it to bra between the cups

These clips work great for quick wiring. Make sure that the pins do not touch the talent’s skin though; they will bite!

Insert the lavalier through the tube of the vampire clip
Push gently to ensure there is tension between the lav and the tube Clip the lavalier to the bra between the cups
Tuck the cable underneath the bra for a strain relief

Sweaters

Moleskin

Try taping the lavalier to the inside of the sweater using a using a color that will not show through the sweater.

Take two pieces of Moleskin (1/2 inch x 1 inch)
Stick the Moleskin on to the lavalier just below the diaphragm
Attach the lavalier on top of the soft (non-sticky) side of the second piece of Moleskin Adhere it to the sweater

These clips work great for quick wiring. Make sure that the pins do not touch the talent’s skin though; they will bite!

Insert the lavalier through the tube of the vampire clip

Push gently to ensure there is tension between the lav and the tube

Clip the lavalier to the bra between the cups

Tuck the cable underneath the bra for a strain relief

Just like Moleskin, use an Overcover that has a matching color to the wardrobe as best as possible. Darker colored wardrobes almost always work well with black Overcovers because the eye does not focus on the difference in color.

Place a lavalier near the top portion of a Sticky
Take an Undercover/Overcover and place over the lavalier onto the Sticky Squeeze around the lavalier gently to ensure the Undercover/Overcover is firmly in place
Peel off the backside of the Sticky
Adhere a Stick It! Dot to the Sticky
Peel the Stick It! Dot and adhere it to the sweater just above the cleavage Apply a proper strain relief for the cable

Dresses

Try using a Lav-Rod to assist in feeding the cable through a dress. It is less invasive than manually feeding a wire through, and can be done in seconds rather than minutes.

Attach the connector of the lavalier to the Lav-Rod

From the top of the outfit, push the Lav-Rod down through the clothes, traveling towards the bottom of the dress

Disconnect the lavalier from the Lav-Rod and hold the connector of the lavalier while the talent pulls the Lav-Rod back up through the outfit

Place a lavalier near the top portion of a Sticky

Take an Undercover/Overcover and place over the lavalier onto the Sticky

Squeeze around the lavalier gently to ensure the Overcover is firmly in place

Peel off the backside of the Sticky

Adhere a Stick It! Dot to the Sticky

Peel the Stick It! Dot and adhere it to the dress in the cleavage

Insert the lavalier through the tube of the vampire clip

Push gently to ensure there is tension between the lav and the tube

Clip the lavalier to to the dress in the cleavage

Be careful with wind noise on lavaliers in dresses. Because the lavalier is more out in the open than in other wardrobes, it is susceptible to more wind noise. Knowing this, it may be wise to attach a windscreen to the lavalier before wiring the actress. This way you will not have to bother the actress again to put wind protection on.

Make sure that you do not have a “cable vein” going across the stomach by moving the cable to one side or the other. If you do see a cable vein, “floss” the cable back and forth a little bit getting it to go to the side of the actress. This is best to do before you attach the head of the lavalier. You may ask the actress to assist you in this process.

Hiding The Pack

Now that you know how to hide the wire, learn how to hide the pack too!

Plant Microphones

Let's talk about Plant Mics!

Ok, this isn't a huge teaching aid, but more of something I did when I was extremely tired! However, it does prove the point that you can hide plant microphones everywhere!

Lavaliers are also great choices for Car Rigs. Lets discuss how to rig a car with lavaliers.

Microphone placement is an essential skill that will be exercised each and every time you plant a microphone. Make sure that when planting a lavalier, you position it to stay on axis if the talent turns his or her head towards other actors in the car. If possible, make sure that the windows are rolled up to remove wind noise from being a factor.

Taking Care of Your Lavaliers

Learn how to make your lavaliers stay looking as good as the day you bought them!

Final Thoughts

All good things come to an end! However, you have one more lesson to learn!

Good to know

Know what's good
, what to watch for
, and possible dealbreakers
Provides detailed examples and meticulous instruction, coupled with step-by-step videos, offering clear and concise visual demonstrations for easy user experience and technique duplication
Includes over 150 pages of information on how to capture better sound, offering a comprehensive resource for improving audio quality in various production scenarios
Explores set etiquette, which is crucial for maintaining professionalism and fostering positive relationships with talent and crew on any production set
Offers step-by-step videos broken down by talent’s wardrobe, providing practical guidance on microphone placement for various clothing styles and scenarios
Requires specialized equipment such as lavaliers, tape, and other accessories, which may represent an additional upfront investment for some learners
Examines the different sound qualities between shotgun microphones and lavalier microphones, which is essential knowledge for making informed decisions about microphone selection

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Activities

Be better prepared before your course. Deepen your understanding during and after it. Supplement your coursework and achieve mastery of the topics covered in How To Put A Microphone On Talent with these activities:
Review Basic Audio Principles
Reinforce your understanding of fundamental audio concepts like frequency, amplitude, and signal-to-noise ratio. A solid grasp of these principles is essential for effective microphone placement and troubleshooting audio issues on set.
Browse courses on Audio
Show steps
  • Read articles or watch videos explaining basic audio concepts.
  • Take a short quiz to test your understanding.
  • Identify real-world examples of these principles in action.
Read 'The Location Sound Bible'
Supplement your knowledge with a comprehensive guide to location sound. This book will provide a broader understanding of the field and offer alternative perspectives on microphone techniques.
Show steps
  • Read the chapters related to lavalier microphones and wardrobe considerations.
  • Take notes on key concepts and techniques.
  • Compare the book's recommendations with the course material.
Practice Wiring Different Wardrobes
Hone your skills by practicing microphone placement on various types of clothing. This hands-on experience will build your confidence and improve your ability to adapt to different on-set scenarios.
Show steps
  • Gather a variety of clothing items (t-shirts, collared shirts, dresses, etc.).
  • Using a lavalier microphone and appropriate accessories, practice wiring each item.
  • Record a short audio sample for each setup to evaluate the sound quality.
  • Experiment with different microphone positions and accessories to optimize the sound.
Four other activities
Expand to see all activities and additional details
Show all seven activities
Document Your Wiring Techniques
Solidify your understanding by creating a visual guide to microphone placement. This will force you to think critically about the techniques you've learned and help you remember them in the future.
Show steps
  • Choose three different wardrobe scenarios from the course.
  • For each scenario, take photos or videos of your microphone placement technique.
  • Write a brief description of each technique, explaining the rationale behind your choices.
  • Compile your photos, videos, and descriptions into a document or presentation.
Read 'Sound Design for Film and Television'
Expand your understanding of the entire sound design process. This book will help you appreciate how microphone placement contributes to the overall sonic landscape of a film or television production.
Show steps
  • Read the chapters related to dialogue recording and sound effects.
  • Consider how microphone placement choices can impact the sound design process.
  • Reflect on how you can use your knowledge of sound design to improve your microphone techniques.
Help Others with Wiring
Reinforce your knowledge by helping others learn how to wire talent. Teaching others is a great way to solidify your own understanding of the material.
Show steps
  • Find someone who is interested in learning about microphone placement.
  • Share your knowledge and demonstrate different wiring techniques.
  • Answer their questions and provide feedback on their attempts.
Create a Short Film with Excellent Sound
Apply your knowledge and skills by producing a short film with a focus on high-quality audio. This project will challenge you to overcome real-world obstacles and refine your microphone placement techniques.
Show steps
  • Write a short script with dialogue and diverse wardrobe scenarios.
  • Gather your equipment and assemble a small crew.
  • Shoot your film, paying close attention to microphone placement and audio quality.
  • Edit your film and mix the audio to create a polished final product.
  • Share your film and solicit feedback on your sound recording techniques.

Career center

Learners who complete How To Put A Microphone On Talent will develop knowledge and skills that may be useful to these careers:
Sound Recordist
A Sound Recordist is responsible for capturing high-quality audio during film, television, and other media productions. This course directly aligns with the core duties of a Sound Recordist, providing essential knowledge on using lavalier microphones effectively. The course's focus on proper mic placement, set etiquette, and techniques for wiring talent across various wardrobes is crucial for a Sound Recordist aiming to achieve clear and professional sound. The detailed examples and step-by-step videos in this course on wiring techniques are particularly valuable for anyone looking to excel in this role, as it provides practical and real-world knowledge applicable on set.
Production Sound Mixer
A Production Sound Mixer is a key member of a film or video production team, responsible for recording and mixing audio on set. This course is highly relevant for a Production Sound Mixer because it provides in-depth training on lavalier microphone use, which is a common technique in production sound. Specifically, the course's comprehensive approach to wiring for different wardrobe types and scenarios directly applies to the daily responsibilities of a Production Sound Mixer. By learning the tips and tricks shared in this course, a Production Sound Mixer can ensure they're capturing the best possible audio while improving workflow on set.
Film Student
A Film Student is learning the various aspects of film production, often working on student projects in different roles. This course would be extremely helpful for a Film Student, especially those interested in sound recording, as it provides a deep dive into using lavalier microphones. The course's hands-on techniques, such as the step-by-step videos and in-depth instructions on wiring talent, are valuable to Film Students. The knowledge of set etiquette can also help a film student work effectively with other students and teachers on set of school productions.
Location Sound Assistant
A Location Sound Assistant supports the sound department on film and television sets. This course is very relevant for a Location Sound Assistant, as it focuses on the practical skills they need in their daily tasks. The course’s primary focus is on lavalier microphones, teaching how to wire talent of different wardrobes. The course's instruction on set etiquette and how to use various tools and accessories is also valuable for a Location Sound Assistant looking to build a strong foundation in sound recording. This course can provide the hands-on knowledge, such as the step-by-step videos, to excel in the field.
Independent Filmmaker
An Independent Filmmaker often manages all aspects of film creation, including both the visual and audio components. This course is extremely relevant for an Independent Filmmaker, especially those who need to manage the sound recording process themselves. As the course is focused on using lavalier microphones effectively, an Independent Filmmaker can improve their sound quality by following this course's precise instructions for wiring talent. The course's clear and concise video demonstrations are particularly useful for independent filmmakers, as it is important to understand how to do things like properly place microphones.
Audio Technician
An Audio Technician works on the technical aspects of sound for live events, broadcasts, or studio recordings. This course provides valuable knowledge for an Audio Technician, specifically in the use of lavalier microphones. While not every Audio Technician utilizes lavaliers day-to-day, certain scenarios, and the knowledge on mic placement in general, is incredibly relevant. This course is beneficial because it teaches how to effectively use lavaliers, covering topics like proper wiring techniques, set etiquette, and various scenarios that apply to an Audio Technician's work. The step-by-step video demonstrations found in this course would be particularly helpful to someone who wants to learn the hands-on aspects of sound technology.
Video Production Assistant
A Video Production Assistant supports the video production team in various ways, such as assisting on set and with equipment. This course may be useful for a Video Production Assistant, especially if they wish to pursue a sound related role in the future, as it gives specific training on using lavalier microphones. This course covers different wiring techniques, set etiquette and proper use of equipment. This can be helpful for a Video Production Assistant who wants to learn more about sound and eventually work in more specialized roles on a set. This can also help one be a more helpful member of the team.
Field Audio Engineer
A Field Audio Engineer manages audio recording in locations outside of a studio, often for documentary or news productions. A Field Audio Engineer would find this course very helpful because it concentrates on practical methods of using lavalier mics on location. The course content covering a variety of wardrobes and how to wire in each scenario can equip a Field Audio Engineer to handle various situations, while best practices related to set etiquette are crucial for any kind of field work. This course's focus on step-by-step videos and in-depth instructions on how to operate lavaliers is exceptionally beneficial for those aiming to excel in field audio engineering.
Corporate Videographer
A Corporate Videographer produces content for businesses and organizations. This course may be helpful for a Corporate Videographer, as it provides education on using lavalier microphones, which can be very useful in interview settings or during event coverage. This course's instruction on proper wiring techniques for different wardrobe types and scenarios is helpful knowledge in the field. The course also covers set etiquette and how to work effectively with talent. This can be a very important skill in a corporate setting when dealing with employees of varying seniority.
Audio Visual Specialist
An Audio Visual Specialist handles audio and video equipment for various events, presentations, or installations. This course can be valuable for an Audio Visual Specialist, particularly those who work in scenarios that utilize lavalier microphones. The course material directly covers the practical skills needed to use lavaliers well, teaching how to place microphones properly for different situations. This practical instruction, combined with knowledge of set etiquette, can be very beneficial for an Audio Visual Specialist who wants to broaden their understanding of professional audio work.
Broadcast Audio Engineer
A Broadcast Audio Engineer ensures high-quality audio for television or radio broadcasts. This course may be useful for a Broadcast Audio Engineer, particularly in understanding the nuances of lavalier microphone usage, which are frequently used in broadcast settings. While a Broadcast Audio Engineer’s work might involve studio mixing and other areas of audio, this course's focus on capturing clean audio in various real-world scenarios can be very helpful. The practical techniques explained in this course, such as how to wire talent with different wardrobes, are applicable to the challenges a Broadcast Audio Engineer faces while recording live. Learning set etiquette may also help one work effectively on a broadcast team.
Sound Designer
While a Sound Designer typically focuses on the creative aspects of sound in post-production, understanding how to capture quality audio on set is very valuable. This course may be useful for a Sound Designer who wants to have a more comprehensive understanding of the entire sound production process, from capture to creation. The course primarily concentrates on lavalier microphone usage, equipping a Sound Designer with a more practical understanding of the process. The course may also provide knowledge of common problems with on-set audio that can impact post-production workflow. The knowledge gained in set etiquette can also be useful for when a sound designer works alongside on-set workers.
Podcast Producer
A Podcast Producer oversees the creation of audio content, often handling recording, editing and mixing. This course may be useful for a Podcast Producer for improving their skills in capturing high quality audio. While podcasting may often use other types of audio equipment, knowing the ins and outs of lavalier microphones can improve audio quality when working with multiple speakers. This course focuses on the real-world application of lavaliers in various scenarios. This knowledge, along with the set etiquette taught, may assist a Podcast Producer in various aspects of audio production, particularly in situations where proper microphone placement makes a big difference in post-production.
Video Editor
A Video Editor works on the post-production side of video and film, piecing together footage, and syncing audio. This course may be useful for a Video Editor who wants to better understand the audio process that precedes the editing bay. By learning the basics of lavalier microphone usage, particularly regarding proper placement and sound quality, a Video Editor may gain insight into common problems with audio. This knowledge will allow the Video Editor to better understand how audio can be improved or problems can be avoided. It also allows the video editor to better communicate with on-set personnel on the challenges that arise on their end.
Content Creator
A Content Creator produces various forms of media for online platforms. This course may be useful for a Content Creator, especially those who are involved in the production of video content, as it teaches skills in using lavalier microphones effectively. Many Content Creators are involved in different aspects of the production process, and learning how to achieve good sound can make a big difference. This course covers several techniques and best practices for wiring talent across various wardrobes, which may be helpful for a solo Content Creator looking to improve the professionalism of his or her content.

Reading list

We've selected two books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in How To Put A Microphone On Talent.
Comprehensive guide to location sound recording. It covers a wide range of topics, including microphone selection, placement, and troubleshooting. It's a valuable resource for both beginners and experienced sound professionals, offering practical advice and real-world examples to improve your on-set audio capture skills. This book provides additional depth to the course.
Provides a comprehensive overview of sound design principles and techniques for film and television. While not solely focused on microphone placement, it offers valuable insights into the role of sound in storytelling and how to achieve a professional-quality audio track. It's a useful resource for understanding the broader context of your work as a sound recordist. This book is more valuable as additional reading than it is as a current reference.

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