Every single question posted to this class is answered within 24 hours by the instructor.
Welcome to the
Every single question posted to this class is answered within 24 hours by the instructor.
Welcome to the
This is a class designed for the average person who is ready to dive into making music with synthesis. Whether you are a beginning musician, an active musician, or an aspiring musician - this class is perfect for you.
In Sound Design Fundamentals: Sampling, we will examine the essentials of Sound Design using Ableton Live and Propellerheads' Reason software and focusing on principles of Sampling. We will explore three fundamental topics:
Using samples for generating sounds, and the legal implications of sampling (And two pro tips for avoiding all the legal issues)
Using samples to generate new sounds through manipulation and synthesis
Using samplers to control drum sounds and sequence dynamic drum patterns.
This system keeps the technical jargon to a minimum and gets you making your own sounds quick.
Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a "Mover and a Shaker," and he is recognized by the Grammy Foundation for his music education classes.
Throughout this class, If you get stuck, you can review the videos or post a question, and I'll back to it as fast as possible.
And of course, once you sign up for this course you automatically get huge discounts to all the upcoming parts of this class.
You will not have another opportunity to learn Sound Design in a more comprehensive way than this.
All the tools you need to successfully learn Sound Design are included in this course and the entire course is based on real-life experiences - not just academic theory.
Please click the "Take This Course" button so you can launch your music career today.
I guarantee that this course is the most thorough music theory course available ANYWHERE on the market - or your money back (30-day money-back guarantee)
Closed captions have been added to all lessons in this course.
Praise for Courses by Jason Allen:
⇢ "It seems like every little detail is being covered in an extremely simple fashion. The learning process becomes relaxed and allows complex concepts to get absorbed easily. My only regret is not taking this course earlier." - M. Shah
⇢ "Great for everyone without any knowledge so far. I bought all three parts... It's the best investment in leveling up my skills so far.." - Z. Palce
⇢ "Excellent explanations. No more or less than what is needed." - A. Tóth
⇢ "VERY COOL. I've waited for years to see a good video course, now I don't have to wait anymore. Thank You. " - Jeffrey Koury
⇢ "I am learning LOTS. And I really like having the worksheets. " - A. Deichsel
⇢ "The basics explained very clearly - loads of really useful tips. " - J. Pook
⇢ "Jason is really quick and great with questions, always a great resource for an online class. " M. Smith
Students who register for this course will receive ongoing exclusive content and discounts for all future classes in the series.
Welcome to the class! In this video we will give a quick explanation of what we will be covering, and how we will be covering it.
In this video we will talk about the similarities to synthesis, and talk about the main tools we will be using. (Ableton Live and Reason)
In this video we talk about the legal issues around sampling, and, more importantly, how to aviod them entirely by using free, legal, samples that you can find online with one simple trick.
Just like in synthesis, we have four key elements that we need to learn to identify when we approach any sampler. In this video we will find and discuss these key elements.
First, we will poke around the NN-19 and see what is here, especially looking for our four key elements.
One of the most important concepts that separates a sampler from a synthesizer is Keyzones and rootkeys. In this video we dive into these topics using the NN-19.
Here we will start from scratch and make our own instrument using the NN-19 Sampler.
The first of many preset deconstructions! We look at one of the presets in the NN-19 and pick it apart to see how it works. Hugely informative!
We start the same as before: Poking around and see what is here. Looking especially for what is familiar from the NN-19, and what is new.
We already know what Keyzones are, but what about Velocity Zones? We couldn't do them in the NN-19, but we can in the NN-XT. So we will look at them here.
In this video we will get a little more indepth with the modulation and filter parameters to add some texture to our sounds.
Here we will start from scratch again, and design an instrument that uses samples to create a dynamic sound with multiple keyzones and velocity zones.
Again we will pick apart one of the presets, this time in the NN-XT to see how it works, and how it was designed.
The Ableton Live Simpler interface works a bit differently than our Reason samplers, but all the same stuff is there, just laid out differently. (Plus some more things!)
When we work with drum sounds, we use a lot of the same elements, with a few differences. In this video we will examine those differences to work with drums.
From scratch! Here we will start fresh and use the Ableton Live Simpler to create a unique sound.
Here we go again: Another preset deconstruction. This time using the Ableton Live Simpler.
Live 9.5 came with a newly updated Simpler. Here are a few of the new features of the New Simpler.
The 9.5 Simpler has three main modes. First, we will look at the "classic" mode.
The second new tab in the 9.5 Simpler is the 1-Shot Mode.
The last, and most powerful, new mode in the 9.5 Simpler is the Slice Mode.
Diving right in, here we will walk through the whole device and see how it works. Get comfy for this one!
Last one! Here we deconstruct one of the presets in the Ableton Live Sampler and see how it works, and how it was designed.
Where do you want to go next? Some tips for going deeper into sampling and other music ideas.
Lets check out Ableton Live's Sampler. This is a grown-up version of a Sampler, but has a deceptively simple (looking) interface. The key to its power is hidden in the "zones" tab, which we will look at next.
In most sampling instruments, you will be working with more than one sample. This is how you set up a sampler to hold multiple samples, and make really expressive instruments with it.
In this section I'm going to open up a orchestra library sample pack that I have, using a Sampler. Its got about 300 different samples in it, so lets walk through how they are triggered.
I've been asked a lot about preparing individual samples to go into a sampler. A great (free) tool for that is Audacity. I have a separate class on Audacity, but here is a quick overview of how it works.
There is so much more to learn!
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