Take this course and play the Bodhran instantly. No musical experience needed.
You will pick it up straight away without needing any music skills. This is easy to play and really fun to learn. You will be proud of your achievements and happy with the results.
' You will find it is taught in a friendly and encouraging manner and most importantly is it taught v-e-r-y s-l-o-w-l-y.
'Ben Hewlett is a very experienced music teacher who is able to be very patient and methodical. Each lecture will introduce you to the next rhythm or technique – usually just one new idea and that's it.
Take this course and play the Bodhran instantly. No musical experience needed.
You will pick it up straight away without needing any music skills. This is easy to play and really fun to learn. You will be proud of your achievements and happy with the results.
' You will find it is taught in a friendly and encouraging manner and most importantly is it taught v-e-r-y s-l-o-w-l-y.
'Ben Hewlett is a very experienced music teacher who is able to be very patient and methodical. Each lecture will introduce you to the next rhythm or technique – usually just one new idea and that's it.
You'll know Ben better as a harmonica teacher but he studied Bodhrah and tin whistle in the 1990's with the now very famous Steafan Hannigan and Marc Moggy from Renegade Rhythms. He got so into Bodhran he bought an expensive tuneable drum from Marc and it works better than ever to this day. Ben has played Bodhran in bands and sessions for years and even has a Senheiser bass drum microphone embedded into his drum.
Ben is an experienced teacher and uses his skills to get the message across to you in a clear and concise way.'
This method is very easy for you to pick up the rhythms and strokes as they are repeated over and over again until you have got it. You can even re-run the video if you find it useful.
Imagine how amazing it will feel when you whip out your bodhran and play this tune – your friends and family will carry you shoulder high in triumph. Hopefully they don't carry you out of town and dump you in the river, but hey, swimming's good as well.
The health benefits of playing the music are well documented – google it. Playing music makes you smarter they say.
You will have fun on your own and with your friends, and more power to the brain will make you think you are having a good time so it's all good.
THIS COURSE IS THE FIRST BODHRAN COURSE IN WHAT COULD BECOME A SERIES.
IF YOU WANT MORE YOU NEED TO LET ME KNOW.
IF YOU DON'T ASK FOR MORE I WON'T DO ANY MORE!
This lecture describes what you need from this course.
Summing up:
You will need a Bodhran and a beater/tipper/stick.
Preferably without crossbars but just use what you have.
I have heard Bodhran teachers many times telling students to remove the crossbars as they have no structural significance and get in the way of your hand movements.
We will be using a double ended beater for this course and will look at single ended beaters in a follow up course.
Wiki says: The bodhrán (/ˈbɔrɑːn/ or /ˈbaʊrɑːn/n) is an Irish frame drum ranging from 25 to 65 cm (10 to 26 in) in diameter, with most drums measuring 35 to 45 cm (14 to 18 in). The sides of the drum are 9 to 20 cm (3 to 8 in) deep.
A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre.
One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions.
In this lecture we will learn how to make our first hit.
This is learnt on the skin of your hand first before playing it on the skin of the drum.
First I show you how to hold the beater and then how to rotate the beater and strike the skin.
As you will see we rotate the beater from 9pm to 6pm and back to 9pm on the 'clock face'.
The beater hits the drum skin between those points.
Try to hit the skin with impact almost like throwing the beater or flicking it at the skin with some momentum but still with a follow through.
Now we are getting the hang of playing a single note or beat.
The 'count' for this exercise is in the attached jpeg.
There are four beats in the bar for this piece so you can count 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4
But as we are trying to trying to play on beat one only the sound will be:
Boom 2, 3, 4, Boom, 2, 3, 4, Boom 2, 3, 4, Boom, 2, 3, 4
Try to be accurate with the rhythm and also with the way the beater strikes the skin.
Make sure you don't scrape the beater along the skin, strike it with impact.
In this lecture we will play this brilliant tune - Whiskey in the Jar.
Just play one beat per bar as we've learnt in the previous lecture.
Get to know the tune with the words provided and sing along if you can.
Now play along one beat per bar on your had.
Next try it on your bodhran.
Play it round many times until you feel comfortable.
THIS COURSE IS THE FIRST BODHRAN COURSE IN WHAT COULD BECOME A SERIES.
IF YOU WANT MORE YOU NEED TO LET ME KNOW.
IF YOU DON'T ASK FOR MORE I WON'T DO ANY MORE!
Take a look at the attached jpeg and let's learn to play what it says.
Still four beats in the bar but playing on beats one and three only so you can count 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4.
Here's how it looks when you play beats one and three but not two and four,
Boom, 2, Boom, 4, Boom, 2, Boom, 4, Boom, 2, Boom, 4, Boom, 2, Boom, 4,
There are four beats in the bar for this piece so you can count 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4
You can also play four to the bar as well - please follow the video.
Try making the first beat louder than the other three.
Either you can hit the fist beat harder and louder or lift you left hand off the back of the drum skin a little bit to up the volume.
This lecture is about stretching your arms and hands to help you play comfortably.
DISCLAIMER: THESE EXERCISES ARE WHAT I DO AND THEY WORK FOR ME. PLEASE DO NOT DO THEM UNLESS YOU ACTIVELY WANT TO AND LET IT BE UNDERSTOOD THAT YOU DO THEM AT YOUR OWN RISK. I ADVISE YOU NOT TO DO THEM.
Having said that a simple easy stretch should be within most people's reach and I have been taught to do them by various teachers with no problems so far.
Reel = 4 letters = 4 beats
Hornpipes have 4 beats and polkas have 2
jig = 3 letters = 3 beats
Walzes have 3, Jigs can be counted in 3 or 6, and slip jigs have 9
In this lecture we start looking at 3 beats (or 6) in the bar
Please see the attached jpeg in the resources tab
So the count will be 1, 2, 3, 4, 5, 6
Let's start by just playing beats 1 and 4 so it's Boom 2 3 Boom 5 6
Note that beat 1 is a down stroke and beat 4 is an up stroke
Next you can try playing all six beats and your beater will be going:
Down up down - up down up
THIS COURSE IS THE FIRST BODHRAN COURSE IN WHAT COULD BECOME A SERIES.
IF YOU WANT MORE YOU NEED TO LET ME KNOW.
IF YOU DON'T ASK FOR MORE I WON'T DO ANY MORE!
That's pretty much the course done now.
The follow up is different rhythms, songs and techniques. Different beaters, playing single ended, playing outside Irish trad music, playing different pitches on your drum - and loads more!
Bye for now, please message me if you need any help.
Ben Hewlett
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