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Soundous Bouhandi

In this course I am going to share with you how I draw rings. We will start first by understanding how to draw circles freehanded, ellipses and cuboids using one point perspective. After that, we will see how to draw different rings on a surface, and then using cuboids to see them in a 3 dimensional view. We will see together how to draw rings with different thicknesses and positions. And Last but not least, we will go through the process of thinking outside of the box create ideas and develop them together, we will work on volumes, positions, proportions and textures.

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In this course I am going to share with you how I draw rings. We will start first by understanding how to draw circles freehanded, ellipses and cuboids using one point perspective. After that, we will see how to draw different rings on a surface, and then using cuboids to see them in a 3 dimensional view. We will see together how to draw rings with different thicknesses and positions. And Last but not least, we will go through the process of thinking outside of the box create ideas and develop them together, we will work on volumes, positions, proportions and textures.

After this class you will be able to draw rings easily and generate several ideas and designs by your own. I would like you to practice with me all along the class. By this, I mean that you need to do exercises after each lecture.Draw :

  • Circles - Ellipses - Cuboids in one point perspective

  • Rings on a table ( Simple - Concave - Convex - Wavy )

  • Rings on a table with different thicknesses

  • Rings in cuboids ( Simple - Concave - Convex - Wavy )

  • Rings in cuboids with different thicknesses

  • Rings in cuboids in different positions

And as a final project I would like you to follow the same steps we did in the course and share your results with me in the project section.

  1. Draw multiple possibilities using different rings (base) and stones (upper part)

  2. Choose three combinations (or more) and make a ring out of them while changing :

  • The volumes

  • The position

  • The texture

So if you are interested in this course, you are most welcome and I will be very glad if you join me .

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What's inside

Learning objectives

  • Learn to draw circles, ellipses and cuboids
  • Draw rings on table and using cuboids
  • Draw rings in different thicknesses and positions
  • Think outside the box and make creative designs

Syllabus

Introduction
Convex ring on a table
Circles and Ellipses
Circles introduction
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Activities

Coming soon We're preparing activities for Jewelry Design - How to draw rings. These are activities you can do either before, during, or after a course.

Career center

Learners who complete Jewelry Design - How to draw rings will develop knowledge and skills that may be useful to these careers:
Jewelry Designer
A Jewelry Designer conceptualizes and creates original jewelry pieces, bringing artistic vision to life. This course provides a direct and invaluable foundation for aspiring Jewelry Designers by focusing explicitly on how to draw rings, a fundamental jewelry item. Learners practice drawing circles, ellipses, and cuboids, essential geometric forms for visualizing jewelry. The emphasis on depicting rings in 2D and 3D, varying thickness, position, volume, proportion, and texture directly mirrors the tasks of a professional designer. Moreover, the module on 'thinking outside the box' to generate and develop creative ideas is crucial for innovation in this field, empowering you to create unique and marketable designs.
Jewelry Illustrator
As a Jewelry Illustrator, your primary role is to create detailed and aesthetically pleasing visual representations of jewelry designs. This course offers highly relevant skills for a Jewelry Illustrator, focusing on precision drawing techniques such as freehand circles, ellipses, and cuboids using one-point perspective. The practical exercises in drawing rings on surfaces and in three-dimensional views, considering different thicknesses, positions, and textures, directly translate to preparing professional-grade illustrations for clients or marketing materials. Mastering these visual communication skills is essential for accurately conveying a designer's vision and bringing jewelry concepts to life on paper.
Computer Aided Design Jewelry Specialist
A Computer Aided Design Jewelry Specialist translates conceptual designs into precise digital 3D models using specialized software. While this course focuses on hand drawing, its emphasis on understanding rings in three dimensions, using cuboids, and exploring volumes, positions, and proportions, directly builds the foundational spatial reasoning critical for CAD work. The ability to visualize and manipulate forms in 3D space, which is cultivated through drawing rings with varying characteristics, is a highly transferable skill. This course can help you develop the conceptual understanding of form and perspective needed before digital modeling, making you a more intuitive and effective Computer Aided Design Jewelry Specialist.
Goldsmith
A Goldsmith designs, crafts, and repairs jewelry, primarily working with gold and other precious metals. While primarily a hands-on fabrication role, the design and visualization skills gained from this course are highly beneficial for a Goldsmith. Understanding how to draw rings in 3D, including their thicknesses, volumes, and proportions, is essential for translating a design concept into a tangible object. The practice of thinking outside the box to generate and develop ideas, combined with exploring textures and positions, directly supports the creative aspect of a Goldsmith's work, enabling you to better plan and execute complex pieces or even design custom items for clients.
Technical Illustrator
A Technical Illustrator creates detailed drawings and diagrams to explain how things work or how they are constructed. This course is particularly relevant for a Technical Illustrator specializing in consumer products or small-scale objects. The rigorous focus on drawing precise geometric forms like circles, ellipses, and cuboids, and presenting objects in one-point perspective and 3D views, directly translates to technical drawing requirements. Mastering how to depict rings with varying thicknesses, positions, and volumes, alongside exploring different textures, provides the precision and visual clarity needed to create informative and accurate technical illustrations for manufacturing guides, assembly instructions, or product specifications.
Jewelry Product Developer
A Jewelry Product Developer oversees the creation of new jewelry lines from concept to production, focusing on market viability and manufacturing feasibility. This course may be useful for a Jewelry Product Developer by providing a strong foundation in visualizing and articulating ring designs. Understanding how to draw rings in various forms, dimensions, and perspectives, considering volumes, positions, and textures, helps in communicating design specifications to manufacturers. The course's emphasis on creative ideation and developing multiple possibilities can aid in iterating designs and exploring novel approaches, ensuring a diverse and innovative product pipeline. This visual literacy is key to successful product development.
Product Illustrator
A Product Illustrator specializes in creating visual representations of products for various purposes, including marketing, catalogs, or instructional manuals. This course provides highly relevant drawing skills for a Product Illustrator, specifically focusing on three-dimensional object rendering. The systematic approach to drawing circles, ellipses, and cuboids in perspective, coupled with the practice of depicting rings with different thicknesses, positions, volumes, proportions, and textures, directly translates to illustrating any product with accuracy and visual appeal. The course helps you develop a strong command of form, light, and shadow, essential for producing clear and compelling product illustrations.
Visual Merchandiser
A Visual Merchandiser creates appealing product displays and window arrangements, often in retail environments. For someone working with jewelry, this course may be helpful by enhancing your understanding of how rings appear in various contexts and dimensions. The practice of drawing rings with different thicknesses, positions, and volumes, and exploring textures and compositions, directly relates to presenting jewelry effectively. The ability to conceptualize how a ring will look from multiple angles and within a display, developed through the course's 3D drawing techniques, can significantly improve your ability to design captivating visual arrangements that highlight the beauty and artistry of each piece.
Fashion Accessories Designer
A Fashion Accessories Designer creates items like handbags, belts, and, crucially, jewelry, to complement clothing lines. This course may be useful for a Fashion Accessories Designer by sharpening your ability to conceptualize and visually represent jewelry, specifically rings, as part of a broader collection. The skills in drawing 3D forms, understanding proportions, volumes, and textures, and thinking creatively to generate new ideas, are universally applicable in accessories design. By focusing on rings, the course provides a detailed understanding of how to design and depict these specific items, enabling you to integrate them seamlessly into fashion narratives and seasonal trends.
Concept Artist
A Concept Artist creates initial visual ideas for characters, environments, or props for games, films, or other media. This course may be useful for a Concept Artist, particularly one specializing in object or prop design. The core skills of freehand drawing, understanding one-point perspective, and depicting objects in 3D with varying volumes, positions, proportions, and textures, are fundamental to concept art. The module on 'thinking outside the box' to generate and develop creative ideas is directly applicable, as a Concept Artist is constantly tasked with visualizing novel designs and iterating on them from initial sketches to detailed representations.
Industrial Designer
An Industrial Designer develops concepts for manufactured products, focusing on form, function, and user experience. This course may be helpful for an Industrial Designer as it deeply explores fundamental design principles through the specific lens of rings. The practice of drawing circles, ellipses, and cuboids in one-point perspective, and understanding how to render objects in 3D, builds core visualization skills. The emphasis on changing volumes, positions, proportions, and textures, along with creative ideation, are transferable skills essential for designing any tangible product, fostering a keen eye for detail and spatial reasoning applicable across diverse industries.
Display Designer
A Display Designer creates engaging exhibits and presentations for museums, trade shows, or retail spaces. This course may be helpful for a Display Designer, especially one involved with products requiring detailed presentation. The training in drawing objects in 3D, understanding volumes, positions, and proportions, and experimenting with textures, directly informs how objects are arranged and displayed to viewers. The ability to visualize and compose rings with different characteristics can be applied to designing showcases that highlight product features effectively. This course builds a strong understanding of spatial arrangement and visual impact, crucial for captivating displays.
Prop Designer
A Prop Designer creates or sources objects used by performers in theatre, film, or television productions. This course may be useful for a Prop Designer who needs to visualize and design small, intricate objects like rings. The techniques for drawing circles, ellipses, and cuboids, and depicting objects in 3D using perspective, are foundational for bringing prop concepts to life on paper. Exploring volumes, positions, proportions, and textures helps in conceptualizing how a prop will appear and function within a scene. The course fosters creative ideation, enabling a Prop Designer to generate unique and context-appropriate designs for various productions.
Set Designer
A Set Designer creates the physical environments for theatrical, film, or television productions. This course may be helpful for a Set Designer in developing fundamental drawing and spatial visualization skills. The training in using one-point perspective and depicting three-dimensional objects like cuboids, along with an understanding of volumes, positions, and proportions, provides a foundational comprehension of space and form. While the subject matter is specific to rings, the underlying principles of creating depth and realism in drawings are transferable, aiding in the conceptualization and sketching of larger set pieces and environments.
Fine Artist
A Fine Artist creates original works of art, often focusing on drawing, painting, or sculpture. This course may be useful for a Fine Artist, particularly one interested in representational art or small-scale sculpture. The rigorous practice of freehand drawing, understanding geometric forms like circles, ellipses, and cuboids, and applying one-point perspective, are core artistic skills. The exploration of volumes, positions, proportions, and textures, coupled with the encouragement to 'think outside the box' for creative ideation, directly supports artistic development. These foundational drawing techniques can enhance your ability to visualize and execute complex artistic compositions and forms.

Reading list

We've selected 19 books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in Jewelry Design - How to draw rings.
Is an essential modern textbook that covers the technical aspects of drawing jewelry from various angles, mirroring the course's focus on rings. It provides high-quality visual examples of ellipses and perspective, making it a perfect current reference for students. It adds significant depth to the course by showing how to translate basic shapes into complex, high-end designs.
This volume is excellent for providing the prerequisite knowledge of basic forms and proportions required before moving into complex ring designs. It covers the fundamental principles of drawing that the course introduces, such as circles and simple volumes. It is more valuable as a current reference than older texts due to its modern aesthetic and fashion-forward approach. The book helps learners think outside the box by showcasing how basic shapes evolve into creative concepts.
This classic industry reference that provides a deep dive into the three-dimensional representation of jewelry. It is especially useful for students who want to master the 'thickness' and 'texture' aspects of the course syllabus. Though published some time ago, its reputation within the field of jewelry design remains unsurpassed. It acts as a useful reference tool for understanding how to render stones and metal once the basic ring structure is drawn.
Is essential for providing the prerequisite knowledge of one-point and two-point perspective mentioned in the course. It simplifies the drawing of cuboids and circles in perspective, making it much easier for beginners to grasp the 'ring in a cuboid' concept. It highly popular and reputable resource for artists of all levels. Using this book alongside the course will help students master the foundational geometry needed for jewelry design.
Popular choice for beginners and is frequently used as an introductory textbook. It provides a broad overview of the design process, from initial sketches to final projects, mirroring the course's structure. It is particularly useful for students who need additional reading on how to develop a design from a simple concept. The author well-known authority in jewelry education, providing a reliable framework for creative thinking.
Published recently, this book offers a fresh look at the intersection of fashion and jewelry drawing. It specifically addresses how to draw rings in different positions, which core component of the course syllabus. It serves as a valuable reference for students looking to add more depth to their texture and volume work. The author's reputation adds significant weight to the technical advice provided within the text.
While not jewelry-specific, this book is the gold standard for technical drawing and perspective. It provides rigorous exercises for drawing ellipses and cuboids, which are the primary building blocks of the rings taught in this course. It is more valuable as advanced additional reading for students who want to master 3D construction. The difficulty is higher, but it provides the technical depth that professional designers require.
Focuses specifically on the rendering of gemstones and jewelry forms, making it a perfect supplement for the course's section on 'Pearl rings' and stones. It provides excellent visual examples of how to draw rings on a surface with realistic textures. It useful reference tool for students who have mastered the basic ring shape and want to move on to detailing. The author recognized specialist in jewelry illustration.
Provides practical, step-by-step instructions for drawing various jewelry items, with a strong emphasis on rings. It useful reference tool for students who want more practice with different thicknesses and wavy ring designs. The author's clear approach makes it accessible for those who are just starting out. It complements the course by providing additional exercises that reinforce the lessons on cuboid construction.
This masterclass book provides a very visual approach to jewelry drawing, which aligns well with the course's 'practice with me' philosophy. It covers the rendering of various textures and positions, which are key components of the course's final project. It is more valuable as additional reading for those looking to refine their aesthetic style. The book is highly regarded for its clear, step-by-step illustrations of the creative process.
Focusing on the conceptual side of design, this book is great for students who want to excel in the 'think outside the box' section of the course. It provides strategies for developing ideas and exploring proportions and volumes. It common reference for students preparing for academic studies in jewelry. The book's focus on creative development adds breadth to the course's technical drawing lessons.
Published within the last five years, this book offers a modern approach to learning perspective. It is useful for providing the background knowledge required for drawing cuboids in one-point perspective as taught in the course. The exercises are beginner-friendly and help build the confidence needed for the 'rings in cuboids' exercises. It serves as a helpful review material for students who find the course's perspective lectures challenging.
While not jewelry-specific, this textbook superior resource for the 'one point perspective' and 'cuboid' requirements of the course. It provides more depth regarding how light and shadow interact with geometric forms. It is highly valuable as additional reading for students who want to improve their technical accuracy.
This guide provides a straightforward introduction to perspective, which key prerequisite for the course. It is published recently enough to feel modern and provides clear instructions on drawing cuboids and other geometric forms. While it general art book, its lessons on volume and position are directly applicable to jewelry design. It useful reference tool for the early stages of the course.
While primarily about the bench work of making jewelry, this book is an authoritative source on the actual structure and proportions of rings. Understanding how a ring is constructed in metal provides essential background knowledge for drawing it accurately. It standard textbook in jewelry programs worldwide. It adds significant depth by helping students understand why certain volumes and thicknesses are used in design.
This classic, in-depth exploration of perspective that provides a more rigorous academic background than simpler guides. It is particularly useful for students who want to understand the complex geometry of circles and ellipses in great detail. Although older, its authority on the subject of perspective is well-established. It serves as a comprehensive reference tool for any student wishing to master 3D drawing.
Focuses on the creative journey of a jewelry piece, from the initial sketch to the final product. It great supplement for the 'thinking outside the box' and 'ring composition' lectures. It provides a more modern look at design than some of the older technical manuals. The book is useful for students who want to understand how to develop their own unique design voice.
Provides a solid foundation in the physical properties of jewelry, which helps students draw more realistically. Understanding the 'volumes' and 'thicknesses' from a maker's perspective adds depth to a designer's sketches. It very popular textbook in introductory jewelry courses. It is helpful for providing background knowledge on why certain ring shapes (like concave or convex) are used.

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