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Willie Myette

Using the classic jazz standard “So What” by Miles Davis you will learn this modal song in two parts. In the first part of the lesson, you will learn about the dorian mode how to create dorian chord voicings which make this song so iconic.

In the second part of the lesson, you will learn different ways of using both the dorian and pentatonic scales for improvisation. Several scale patterns that will boost your improvisation creativity are also included.

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Using the classic jazz standard “So What” by Miles Davis you will learn this modal song in two parts. In the first part of the lesson, you will learn about the dorian mode how to create dorian chord voicings which make this song so iconic.

In the second part of the lesson, you will learn different ways of using both the dorian and pentatonic scales for improvisation. Several scale patterns that will boost your improvisation creativity are also included.

In addition to some really cool pentatonic and dorian improvisation patterns that will have heads turning, you're also going to learn some super-hip quartal voicings.

These are the same type of voicings used by Bill Evans and other iconic jazz pianists.

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What's inside

Learning objectives

  • Understand modal playing
  • Create chord voicings
  • Confidently use several scale patterns

Syllabus

Introduction
Learning The Song
Dorian Mode Theory
Comping Voicings in The Left-Hand Pt. 1
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Traffic lights

Read about what's good
what should give you pause
and possible dealbreakers
Explores the Dorian mode, which is foundational for understanding modal jazz and its characteristic sound, offering a solid base for further exploration
Teaches chord voicings, which are essential for creating rich and interesting harmonic textures in jazz piano playing, enhancing the student's ability to comp effectively
Develops improvisation skills using both Dorian and pentatonic scales, providing practical tools for soloing and creating original musical ideas within the jazz idiom
Introduces quartal voicings, which are a hallmark of Bill Evans' style and a valuable technique for adding sophistication and depth to jazz piano arrangements and improvisations
Focuses on a specific jazz standard, providing a practical context for learning and applying theoretical concepts, making the learning process more engaging and relevant
Requires familiarity with basic music theory concepts, such as scales and chords, which may necessitate prior study for complete beginners in music

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Reviews summary

Playing 'so what' jazz piano

According to learners, this course is an excellent, well-structured, and concise guide that gets straight to the point. Students consistently praise the clarity of the instructor's explanations. The course successfully delivers on its promises, covering Dorian mode theory, essential left-hand comping voicings (including highly valued quartal harmony), and soloing ideas for the iconic jazz standard "So What." Reviewers found the exercises and examples to be highly practical and immediately applicable, leading to significant improvement in their playing of the tune. While one review noted the improvisation section was a bit basic, the overwhelming feedback is that the course provides good ideas for improvising and is invaluable for anyone looking to deepen their understanding of modal jazz.
Good soloing ideas, some find depth limited.
"provides great ideas for voicings and soloing."
"gives good ideas for improvising."
"The improvisation part is a bit basic, but a decent starting point."
Short, well-structured, and to the point.
"Short and to the point."
"Nice quick course..."
"gets straight to the point."
"concise and well delivered course covering exactly what it sets out to do."
Effectively teaches theory, comping, and soloing.
"Covers theory, left hand comping and soloing."
"It covers theory, left hand comping, and soloing, exactly as stated in the syllabus."
"Covers theory, voicings and soloing over the tune."
"Helps clarify modal playing."
Exercises and ideas are practical and useful.
"...the exercises were very practical."
"The exercises are practical and easy to follow."
"Very practical and immediately applicable."
"delivers great insight into modal harmony and effective voicings."
"gives good ideas for improvising."
Excellent content on voicings, quartal harmony.
"The section on quartal harmony was very informative..."
"Particularly useful for... developing effective voicings on piano."
"provides great ideas for voicings and soloing."
"The section on voicings is fantastic for left hand comping and soloing."
"The voicings section is excellent."
"The voicings section was particularly useful."
Instructor provides very clear explanations.
"Excellent course which clearly demonstrates how to apply the Dorian mode..."
"Great course. The teacher is very clear in explaining everything."
"instructor goes at a steady pace and is easy to understand."
"Clear and concise explanations."
"Nice quick course, teacher explains everything very clearly..."

Activities

Be better prepared before your course. Deepen your understanding during and after it. Supplement your coursework and achieve mastery of the topics covered in Play the Iconic Jazz Piano Standard "So What" by Miles Davis with these activities:
Review Basic Music Theory
Reinforce your understanding of fundamental music theory concepts, including scales, chords, and modes, to better grasp the modal playing techniques taught in the course.
Show steps
  • Review the circle of fifths and key signatures.
  • Practice identifying major and minor scales.
  • Study basic chord construction (triads and seventh chords).
Read 'The Jazz Piano Book' by Mark Levine
Deepen your understanding of jazz piano techniques and theory with this comprehensive guide, which covers chord voicings, improvisation, and modal playing.
Show steps
  • Read the sections on modal jazz and chord voicings.
  • Practice the exercises and examples provided in the book.
  • Apply the concepts learned to the 'So What' standard.
Practice Dorian Mode Improvisation
Refine your improvisation skills in the Dorian mode by practicing scales, arpeggios, and licks over backing tracks.
Show steps
  • Find backing tracks in D Dorian.
  • Practice D Dorian scale patterns.
  • Improvise over the backing track.
Four other activities
Expand to see all activities and additional details
Show all seven activities
Explore Advanced Jazz Piano Tutorials
Seek out online tutorials that delve deeper into advanced jazz piano techniques, such as reharmonization and complex voicings.
Show steps
  • Search for tutorials on YouTube or other platforms.
  • Focus on topics related to modal jazz and improvisation.
  • Practice the techniques demonstrated in the tutorials.
Create a 'So What' Arrangement
Solidify your understanding of the song by creating your own arrangement of 'So What' for solo piano or a small ensemble.
Show steps
  • Transcribe the original 'So What' recording.
  • Experiment with different chord voicings and rhythms.
  • Record your arrangement and share it with others.
Study 'Bill Evans Omnibook'
Analyze Bill Evans' playing style to understand his use of quartal voicings and modal improvisation, as mentioned in the course.
Show steps
  • Select a few solos to transcribe.
  • Analyze Evans' chord voicings and melodic lines.
  • Incorporate his ideas into your own playing.
Jam Session with Other Musicians
Improve your improvisation skills and learn from other musicians by participating in a jam session focused on modal jazz.
Show steps
  • Find other musicians interested in modal jazz.
  • Organize a jam session and play 'So What'.
  • Experiment with different improvisational approaches.

Career center

Learners who complete Play the Iconic Jazz Piano Standard "So What" by Miles Davis will develop knowledge and skills that may be useful to these careers:
Jazz Pianist
As a Jazz Pianist, your performances captivate audiences through improvisation and harmonic understanding. With the knowledge this course provides, you will have the tools to explore modal playing demonstrated in "So What" by Miles Davis. You will develop comping voicings in your left hand and fluency with both dorian and pentatonic scales, enriching your improvisational skills. The course may be useful as it explores patterns using triads and seventh chords, which you can integrate into your unique style. The quartal voicings, echoing those used by Bill Evans, can add a sophisticated dimension to your playing.
Jazz Club Performer
The role of a Jazz Club Performer involves playing live music in jazz clubs, captivating audiences with your improvisational skills. This course will help you master modal playing and improvisation through the study of "So What" by Miles Davis, enhancing your ability to create exciting and engaging performances. The course will give you the ability to create chord voicings and confidently use various scale patterns. The knowledge of dorian mode theory and pentatonic scales will enable you to craft unique and compelling solos.
Session Musician
A Session Musician records music in studio environments, providing instrumental accompaniment for various artists and projects. Mastering modal improvisation, as this course can help you do using "So What" by Miles Davis, can expand your versatility and marketability as a session player. The understanding of dorian mode theory and the ability to create chord voicings will allow you to quickly adapt to diverse musical styles and genres, making you a valuable asset in many recording sessions. The exploration of pentatonic scale usage and quartal voicings can enrich your improvisational palette.
Accompanist
An Accompanist provides musical support to singers or instrumentalists during rehearsals and performances. With the knowledge this course provides, you will have the tools to effectively accompany musicians in modal jazz settings. The exploration of patterns, including triads and seventh chords, can enhance your ability to provide supportive and creative accompaniment. The ability to create chord voicings and confidently use scale patterns will enable you to provide a solid harmonic foundation for soloists.
Private Music Instructor
As a Private Music Instructor, you provide personalized music lessons to students of all levels. This course may be useful by providing insights into modal playing and jazz improvisation, specifically through the lens of the jazz standard "So What". The course explores dorian mode theory and scale patterns, which you can adapt into your teaching methods to share with students interested in learning jazz piano and improvisation. Exploring chord voicings and improvisation techniques enhances your ability to teach effectively.
Music Teacher
The career of a Music Teacher involves educating and inspiring students in the art of music. This course may be useful in providing insights into modal playing and improvisation, specifically through the lens of the jazz standard "So What". The course explores dorian mode theory and scale patterns, which you can adapt into your teaching methods and share with students interested in expanding their jazz piano skills. Especially beneficial is the focus on creating chord voicings and improvisation techniques, enhancing your ability to teach jazz piano.
Music Director
A Music Director oversees the musical aspects of a performance or production. By learning the intricacies of modal improvisation of the type this course offers through the song "So What," you can lead ensembles with greater confidence and creativity. You will have the ability to guide musicians in improvising and arranging music, creating a cohesive and captivating performance. The course's emphasis on creating chord voicings and understanding the dorian mode can enhance your musical leadership and vision.
Arranger
An Arranger adapts existing musical compositions for different instruments or ensembles. This course may be useful by offering you a deeper understanding of modal harmony and improvisation through the study of "So What" by Miles Davis. The course content, which teaches you how to create chord voicings and confidently use scale patterns, gives you practical knowledge applicable to arranging jazz pieces. The exploration of dorian mode theory and quartal voicings can expand your arranging skills, enabling you to create intricate and compelling arrangements.
Bandleader
Leading a band requires not only musical skill but also the ability to guide and inspire fellow musicians. This course helps you explore modal playing and improvisation using the classic jazz standard "So What" by Miles Davis. The knowledge of dorian mode theory and the creation of chord voicings will allow you to lead your band with confidence and authority, fostering a collaborative and creative environment. The exploration of pentatonic scales and quartal voicings can enhance your arrangements and compositions, setting your band apart.
Composer
As a Composer, you create original musical works for various mediums. This course may be useful in helping you explore modal composition techniques using the principles demonstrated in "So What" by Miles Davis. The course content, which includes the dorian mode and pentatonic scales, provides you with the tools to create unique and captivating musical pieces. The course's emphasis on creating chord voicings and improvisation techniques can spark creativity and innovation in your compositions. The exploration of scale patterns using triads and sevenths can help you develop original and sophisticated harmonic textures.
Music Journalist
Music Journalists write about music, be it reviews, interviews, or articles. This course will help you understand the specifics of jazz piano and modal playing, explained through the case study of Miles Davis' "So What." This course gives you the ability to discuss music with greater expertise and technical understanding. Learning about dorian mode theory, chord voicings, and improvisation techniques will make your analysis more insightful and informed.
Ethnomusicologist
As an Ethnomusicologist, you study music in its cultural context. This course may be useful by providing a deeper understanding of jazz piano techniques and improvisation. The course's emphasis on the Dorian mode, chord voicings, and soloing techniques, as exemplified by "So What", can enrich your understanding of jazz's cultural and historical significance. The course's exploration of pentatonic scales and jazz harmony can aid in analyzing and interpreting jazz music within its cultural milieu. Ethnomusicologists often require an advanced degree.
Music Librarian
A Music Librarian manages and catalogs musical resources in libraries or archives. This course may be useful by providing practical knowledge of jazz piano techniques and improvisation styles. The course's exploration of the dorian mode, chord voicings, and scale patterns can enhance your ability to catalog and categorize jazz music effectively. This understanding may be helpful in assisting researchers and musicians in finding relevant resources. The study of "So What" provides a concrete example.
Software Engineer
Software Engineers design and develop software applications. This course could provide an appreciation for music and music production. Although seemingly unrelated, this course is useful to Software Engineers designing audio software such as DAWs digital audio workstations, VST virtual studio technology instruments, effects plugins, and notation software. In their design, it may be useful to note how a song like "So What" is structured in terms of scales, chords, and modes.
Acoustical Consultant
Acoustical Consultants advise on sound and vibration issues in buildings and environments. While seemingly unrelated, this course can enhance your understanding of music theory and harmony, specifically jazz piano techniques. You will gain a deeper appreciation for the nuances of sound and how musical elements interact, which may inform your work in optimizing acoustics for concert halls, recording studios, or other performance spaces. The course provides a foundation in scales, chord voicings, and improvisation, providing useful knowledge about sound for this kind of consultant.

Reading list

We've selected 31 books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in Play the Iconic Jazz Piano Standard "So What" by Miles Davis.
This comprehensive resource covering all aspects of jazz theory, with significant sections dedicated to chord construction, alterations, and voicings. It is widely considered a standard textbook in jazz education and is essential for developing a deep understanding of the theoretical underpinnings of chord voicings in jazz. crucial reference tool for students and professionals alike.
A legendary book for guitarists, "Chord Chemistry" vast collection of chord shapes and voicings across the fretboard. While not a method book in the traditional sense, it's an invaluable reference for expanding a guitarist's harmonic palette. Its unique approach encourages exploration and creativity with voicings, making it a classic and a must-read for guitarists.
Another seminal work by Ted Greene, this book delves into harmonic movement and voice leading using a wide variety of chord voicings. It provides numerous musical examples that illustrate how different voicings function within progressions. is highly valuable for guitarists looking to deepen their understanding of harmony and voice leading in a practical context.
Provides a comprehensive overview of improvisation techniques for actors, covering topics such as character development, scene work, and ensemble playing. It includes exercises and tips to help actors improve their improvisational skills.
Comprehensive guide to the pentatonic scale for guitar players. It covers the theory behind the pentatonic scale, as well as how to use it in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
This comprehensive jazz harmony textbook covers chord structures, scales, and their application in improvisation and arrangement. It provides a solid theoretical foundation for understanding and utilizing various chord voicings in a jazz context. It is often used as a textbook in academic settings.
Comprehensive guide to pentatonic scales for guitar players of all levels. It covers the theory behind pentatonic scales, as well as how to use them in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Classic guide to pentatonic scales for jazz guitarists. It covers the theory behind pentatonic scales, as well as how to use them in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Examines the role of improvisation in the creative process. It explores how improvisation can help artists and writers overcome obstacles, generate new ideas, and develop their own unique voice.
Provides a systematic approach to learning various jazz piano voicings, categorized by chord type. It offers numerous examples and exercises to help keyboardists develop a strong foundation in jazz voicings. It practical resource for piano students at intermediate and advanced levels.
This book, likely an extension of concepts in "The Advancing Guitarist," focuses specifically on creative approaches to chordal harmony on the guitar. It would delve into various voicing possibilities and how to use them expressively. Based on the author's reputation, it would be a valuable resource for intermediate to advanced guitarists.
Offers a practical guide to improvisation for performers of all levels. It includes exercises, tips, and advice on how to develop your improvisational skills and use them to create memorable performances.
Developed at Berklee College of Music, this book explores the relationship between chords and scales, a fundamental concept in jazz harmony and improvisation that directly influences voicing choices. It provides a systematic approach to understanding which scales fit over which chords, which is essential for creating appropriate voicings. It widely used textbook.
A highly influential and complex theoretical work, this book presents George Russell's unique concept of tonal organization based on the Lydian mode. While not solely focused on voicings, it provides a profound framework for understanding the relationship between scales and chords, which directly impacts voicing choices, particularly in modal jazz. It is considered a classic for advanced students and professionals.
This comprehensive guide to writing for big bands includes detailed information on voicing chords for different sections (saxes, brass) to achieve proper balance and color. It's an essential resource for anyone interested in jazz arranging and orchestration at a professional level, providing practical applications of voicing principles in a large ensemble context.
A practical guide for guitarists, this book explores contemporary chord voicings and shapes used in jazz and fusion. Steve Khan shares his personal approach to chord construction and superimposition, offering fresh ideas for modern harmonic playing. It's a good resource for guitarists looking to expand their voicing vocabulary beyond traditional shapes.
Comprehensive guide to the pentatonic scale in jazz. It covers the theory behind the pentatonic scale, as well as how to use it in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Provides a comprehensive guide to improvisation for actors. It covers topics such as character development, scene work, and ensemble playing.
Comprehensive guide to the pentatonic scale in world music. It covers the theory behind the pentatonic scale, as well as how to use it in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Comprehensive guide to pentatonic scales for fingerstyle guitarists. It covers the theory behind pentatonic scales, as well as how to use them in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Comprehensive guide to pentatonic scales for mandolin players. It covers the theory behind pentatonic scales, as well as how to use them in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Comprehensive guide to pentatonic scales for banjo players. It covers the theory behind pentatonic scales, as well as how to use them in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
Provides a comprehensive overview of improvisation techniques for both actors and non-actors. It covers topics such as listening, spontaneity, and ensemble work.
Provides a comprehensive guide to improvisation for musicians. It covers topics such as scales, chords, and rhythms, and includes exercises to help musicians develop their improvisational skills.
Similar to Russ Garcia's book, this text covers the principles of arranging and orchestrating for jazz ensembles. It includes detailed information on voicing chords for different sections of a jazz orchestra, providing practical knowledge for those interested in writing for larger groups. It's a valuable resource for graduate-level students and professionals.
Beginner's guide to pentatonic scales. It covers the theory behind pentatonic scales, as well as how to use them in improvisation and composition. The book also includes a number of exercises and licks to help you develop your pentatonic skills.
This encyclopedia offers a broad overview of jazz theory concepts, including harmony and voicings. It serves as a useful reference for quickly looking up definitions and explanations of various theoretical terms related to chord voicings. While not as in-depth as dedicated harmony books, it provides a good starting point for understanding the terminology.
Focuses on melodic patterns derived from scales and chords in jazz. While primarily about improvisation, understanding these patterns reinforces the relationship between chords and the melodic lines played over them, which in turn informs voicing choices. It's a practical resource for applying harmonic knowledge.
This textbook provides a concise yet thorough introduction to tonal harmony, covering basic chord structures, progressions, and voice leading in a classical context. While not jazz-specific, a solid understanding of tonal harmony is beneficial for comprehending how voicings function in many musical styles. It is suitable for undergraduate students.
Focuses on the psychological aspects of musical performance and creativity, addressing issues like fear and self-consciousness. While not a technical book on voicings, overcoming mental blocks can significantly impact a musician's ability to freely explore and utilize different voicings. It's more of a supplementary reading for developing musical confidence.

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