Directing the Actor: A USC course with Nina Foch from Udemy

What's inside

Learning objective

Acting lessons for actors and directors. analyze scripts and manage successful castings.

Syllabus

Introduction

Breaking Down The Script

How to break down the story into its simplest beats, discover the moral of the story, and find the thing in the story that everyone is trying to do.

The class breaks down the story using her technique that will work for any project. She explores the moral and the spine. Tracking the character arcs in Casablanca reveals major character changes.

Nina breaks each line from the scene into intentions and actions.

See the film version of the scene that was analyzed in class.

Casting

What to look for in a headshot. What are the best questions to ask? On the back of the headshot is a summary of the actor’s qualifications. Learn what questions to ask to put them at ease.

Learn what to look for when an actor enters the room. How to break bad habits. How to relax the actor. What is the proven subject to bring them out and get their guard down. What are the danger signs to look for that would make you not want to cast them.

What kind of directorial notes get the best results? How to use intentions in your directing of a reading. What to watch for when they follow your direction. What to do immediately after the actor leaves the room. How to analyze the pluses and minuses of each actor.

During a reading of “Fargo” Nina suggests an unusual adjustment for the actor’s second read.

During a reading from “Who’s Afraid of Virginia Wolf" Nina analyzes how to spot an actor who is not in touch with themselves.

During a reading from "Sex, Lies, and Videotape" Nina explains the definition of a scene.

Quick Tips: Casting

What instructions to give the receptionist or secretary in the outer office to get the best results in casting sessions.

How to avoid common mistakes in the setup of the casting session.

Clues to watch for on a resume.

Evaluating personal habits in regard to casting.

What not to say to actors and when to listen.

The top tips to avoid.

Class Exercises

Learn how the “Hot Object” exercise teaches the power of partnering first-hand. Nina shows how to guide the student as they connect with personal items that mean something to them.

In the first example, Nina demonstrates how to push a student to connect and what not to do.
In the second example, the exercise is a success as the student becomes emotional as he connects with his object.

Entrances and Exits
Learn how to create the circumstances and places the characters are coming from and where they are going.
Airport Exercise
Generalities can kill a performance. This exercise teaches how being specific can make an audience believe in the truth of the scene.
Nina boiled down the essence of delivering a line into three specific words. When an actor follows these steps, in order, the line will be delivered more believably than they would if simply memorized and repeated.

Here, Nina shows student filmmakers what it is like to act and receive direction. This gives them perspective on the challenges of giving a performance.

Video Scene Analysis

Learn how to make sure that every part of the scene works with no cuts, no edits, with organic camera movements from start to finish. Nina worked in live television for years, and theatre extensively before that, which made her one of the craft’s leading experts in maintaining the seamless scene.
In these scene analyses, watch Nina force her students to examine every frame, every detail, every moment, and every line of their scenes. Some of her words may seem harsh, or unfair. But, Nina always states that when you make a film, you have to live with these details for the rest of your life.

Nina teaches how to pace a scene and how to overlap blocking and dialogue.

Learn blocking and filling each moment. Simulating the effects of cocaine are discussed. Learn the concept “Actions Come from our Partner’s Needs”.

The concept of cheating is outlined. How to deal with an actor’s bad habits. What is sequential linkage?

How do you fill each moment? How to use body language, how to discover intentions and best tips for blocking are discussed.

How do you structure and deliver a joke? How do you fake? What is the best way to block?

Concepts discussed: Partnering, how to deal with uncomfortable actors, tips on staging , importance of playing one action at a time, finding the action, moving the furniture, and the concept of false exits.

Sex is notoriously hard to direct. Nina points out tricks to making love scenes work. How to make the actors comfortable. How do you direct the way actors touch each other. How do you reveal character through intimacy? Choosing truth or beauty, how much nudity to show. Also discussed: Homosexuality and the class system in America.

Directing Lessons

What is a scene? There are many ways to answer this question: conflict, setting, character, and a host of other qualities. Nina Foch had a simple answer to this question.

Over the years, Nina discovered the best action when actors need to be sexy. It’s an elegant description of a complicated acting choice.

Techniques of connecting with your actors so they open up and trust you.

What are the top bad habits and how do you deal with them?
When do you bring up the problem? Things to watch out for.

When are these helpful and when do they kill a scene? How do you find the intention of a handle? When do you delete a handle?

How to use this technique to get closer to the truth of the scene.

The trick to making narration work. How to break down the beats. Creating an entrance for the narrator. What is the action of the narrator?

What to do when an actor says they are uncomfortable with a line. When to use and when not to use improvisation.

How to get the most out of the first read with the cast. Finding
the tone and meaning of the script.

The best way to integrate the writer without giving up control.
How do you get the most from the writer in rehearsal?

The best way to bring your own viewpoint to the script. How do you integrate the talents of the actors, cinematographer and other crew?

The biggest advantage for directors who try acting. Picking up the language of acting. How to think like an actor so you know how to communicate with them.

What to watch out for when you start the shooting day. How to instill confidence from your actors and crew. How to be flexible and adaptable.

What not to say when actors mumble. The trick to getting them to speak up in an organic manner.

How to conceive the right blocking for a scene.

Quick Tips: Directing

The fight every director faces on the first day and how to win it.

How to handle them on set and off.

The trick to instant relaxation.

How to handle this scenario the right way.

The dangers of yawning.

The best way to indicate these in your script.

Directing

Acting Lessons

What causes this habit? How do you break an actor of the bad habit of looking down.

How do you avoid cliches and make this kind of behavior believable?

Raising your voice or clenching your fists if you’re angry are not sources of power. Nina explains where an actor’s power comes from for a scene and how to generate it.

How do you motivate yourself to get excited about a scene? How do you let loose and be wonderful?

What are the techniques to create believable characterizations so the audience knows where the actor has been and where he is going? How to create energy and propel the story forward.

A scene is not just memorizing lines. Learn the fundamental principle behind sequential linkage. Where does the actor find the connections that make this work?

Learn how to use the five senses to create specific connections that reveal character.

Nina shows when to use this directoral technique and how to loosen up the actor so they can do the best work.

What every actor should know about a shooting day’s breakdown.

How to prepare for the unexpected. How to create a situation where
changes are easily adapted.

How to make each moment motivated. How to work backwards
to achieve believable beginnings.

The trick of using animals and foods as a acting technique.

Nina explains this technique that allows an actor or singer to create an emotional moment no matter what the distractions.

Nina breaks down the best way to relieve tension and how to achieve a complete state of relaxation instantly.

Quick Tips: Acting

How the feet of an actor can add comedy to a scene.

Nina demonstrates how to improve a student’s entrance to a scene.

Acting

Showbiz Tales

We won’t spoil these anecdotes with comments. They are best experienced first- hand.

Life Lessons

Why you should never be late on the set.

How to use failure to help you move to the next level of accomplishment.

How to approach the work so that you challenge yourself at every turn.

What never works on the screen and how to avoid it.

Nina Foch Critiques Herself in "Illegal"

Good to know

Know what's good

, what to watch for

, and possible dealbreakers

Explores acting and filmmaking, which is standard in industry practice

Provides insights from Nina Foch, who is a highly recognized actress and director

Develops knowledge and skills in acting, casting, directing, and script analysis, which are core skills for filmmakers

Uses a multi-modal approach, including videos, readings, and exercises, which can enhance learning

May require extensive background knowledge in filmmaking, which could be a barrier for some learners

Offers comprehensive study of acting and filmmaking, which may appeal to learners seeking deep expertise

Reviews summary

Noted acting class with nina foch

Learners say that Nina Foch's acting class is remarkable, and it's like watching a one-woman show.

Nina Foch is a remarkable acting instructor.

"Nina Foch is remarkable; she presents a myriad of physical, verbal and emotional acting clues, it's like watching a one-woman show."

Activities

Be better prepared before your course. Deepen your understanding during and after it. Supplement your coursework and achieve mastery of the topics covered in Directing the Actor: A USC course with Nina Foch with these activities:

Read 'The Art of Directing'

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This book provides valuable insights into the craft of directing and will complement the topics covered in the course.

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Read the book thoroughly and take notes on the key concepts.

Get reacquainted with film analysis frameworks

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Revisit some fundamental film analysis theories to refresh foundational knowledge before engaging with the course content.

Browse courses on Film Theory

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Review the key elements of film theory, such as plot, setting, and characters.
Read a few essays or articles on film analysis.
Watch a few films and try to analyze them using the frameworks you've reviewed.

Engage in discussions with fellow learners

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Connect with other students to discuss course concepts, share insights, and engage in peer learning.

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Participate actively in online forums or discussion boards.
Attend virtual study sessions with your peers.

Three other activities

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Explore online tutorials on screenwriting

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Enhance your understanding of screenwriting techniques by exploring online tutorials that provide practical guidance.

Browse courses on Screenwriting

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Identify reputable online platforms offering screenwriting tutorials.
Select tutorials that align with your interests and skill level.

Attend industry events and workshops

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Expand your network and learn from professionals in the film industry by attending relevant events and workshops.

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Research industry events and workshops related to film directing.
Attend these events and actively engage with professionals.

Assist with local film productions or theater groups

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Gain practical experience in a film or theater environment by volunteering your time.

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Identify local film productions or theater groups that offer volunteer opportunities.
Contact the organizers and express your interest in volunteering.

Career center

Learners who complete Directing the Actor: A USC course with Nina Foch will develop knowledge and skills that may be useful to these careers:

Film Director

A Film Director is responsible for translating a script into a visual medium, bringing together a team of actors, crew, and creatives to produce a compelling cinematic experience. Directing the Actor: A USC Course with Nina Foch provides invaluable insights into the art of directing. By exploring script analysis, casting, directing, and acting, aspiring Film Directors can learn how to effectively manage their creative teams, communicate their vision, and guide actors to deliver exceptional performances.

See salaries and explore the career path for Film Director

Actor

An Actor brings stories to life by performing roles in films, television shows, theater productions, and commercials. They use various techniques from Directing the Actor: A USC course with Nina Foch to create believable and captivating performances. By understanding script analysis, casting, directing, and acting, Actors can develop a strong foundation for their craft and enhance their ability to convey emotions, motivations, and relationships on stage or screen.

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Acting Coach

An Acting Coach helps actors develop their skills, techniques, and confidence. Directing the Actor: A USC Course with Nina Foch provides a unique opportunity for aspiring Acting Coaches to learn from one of the industry's most renowned acting teachers. Through practical exercises, demonstrations, and in-depth analysis, students will gain a deep understanding of the actor's craft and how to guide actors towards delivering powerful and authentic performances.

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Casting Director

A Casting Director plays a crucial role in selecting the right actors to bring a script to life. Directing the Actor: A USC Course with Nina Foch offers a comprehensive guide to the casting process. Students will learn how to analyze scripts, identify character motivations, and conduct effective auditions. The course also provides insights into directing actors, enabling Casting Directors to provide valuable feedback and guidance during the rehearsal and filming process.

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Drama Teacher

A Drama Teacher educates students in the art of theater and performance. Directing the Actor: A USC Course with Nina Foch can be an invaluable resource for Drama Teachers looking to enhance their teaching skills and expand their knowledge of acting techniques. The course covers a wide range of topics, from script analysis to directing and acting, providing educators with practical tools and insights to engage and inspire their students.

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Screenwriter

A Screenwriter writes scripts for films, television shows, and other visual media. Directing the Actor: A USC Course with Nina Foch may be useful for Screenwriters seeking to deepen their understanding of the actor's perspective and the creative process involved in translating a script into a compelling cinematic experience. By learning about directing and acting techniques, Screenwriters can gain valuable insights into how their words will be interpreted and performed on screen.

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Producer

A Producer is responsible for overseeing the creative and financial aspects of film and television productions. Directing the Actor: A USC Course with Nina Foch may be helpful for Producers interested in gaining a better understanding of the actor's role and the creative process involved in directing performances. By learning about casting, directing, and acting techniques, Producers can develop a stronger working relationship with actors and ensure that their creative vision is effectively realized on screen.

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Theater Director

A Theater Director is responsible for overseeing all aspects of a театральное представление, from script selection to casting and directing. Directing the Actor: A USC Course with Nina Foch may be useful for Theater Directors seeking to enhance their understanding of the actor's perspective and the creative process involved in directing live performances. By learning about acting techniques and directing methods, Theater Directors can develop a stronger rapport with actors and guide them towards delivering captivating and memorable performances on stage.

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Film Editor

A Film Editor assembles and edits raw footage into a cohesive and compelling film or television production. Directing the Actor: A USC Course with Nina Foch may be helpful for Film Editors seeking to enhance their understanding of actors' performances and how they contribute to the overall narrative. By learning about directing and acting techniques, Film Editors can develop a keen eye for identifying powerful performances and shaping them into a cohesive and impactful cinematic experience.

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Talent Agent

A Talent Agent represents actors and helps them find work in the entertainment industry. Directing the Actor: A USC Course with Nina Foch may be useful for Talent Agents seeking to expand their knowledge of the actor's craft and the industry landscape. By learning about directing and acting techniques, Talent Agents can better understand the needs of their clients and provide them with valuable guidance and support throughout their careers.

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Film Critic

A Film Critic analyzes and reviews films for various media outlets, providing their insights and opinions on cinematic works. Directing the Actor: A USC Course with Nina Foch may be useful for Film Critics seeking to deepen their understanding of the actor's role and the creative process involved in filmmaking. By learning about directing and acting techniques, Film Critics can develop a more nuanced appreciation for the craft of acting and provide more informed and insightful critiques of performances on screen.

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Performance Artist

A Performance Artist creates and performs original works of art that often involve the use of their own bodies and actions. Directing the Actor: A USC Course with Nina Foch may be useful for Performance Artists seeking to enhance their understanding of the actor's craft and the creative process involved in developing and performing live works. By learning about directing and acting techniques, Performance Artists can explore new possibilities for expression and deepen their engagement with audiences.

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Voice Actor

A Voice Actor provides voices for characters in animated films, video games, and other media. Directing the Actor: A USC Course with Nina Foch may be useful for Voice Actors seeking to enhance their understanding of the actor's craft and the techniques involved in creating compelling vocal performances. By learning about directing and acting methods, Voice Actors can develop a stronger sense of characterization and deliver nuanced and expressive vocal performances.

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Dialect Coach

A Dialect Coach helps actors develop and perfect accents and dialects for film, theater, and television productions. Directing the Actor: A USC Course with Nina Foch may be useful for Dialect Coaches seeking to expand their knowledge of the actor's craft and the techniques involved in creating authentic and believable accents. By learning about directing and acting methods, Dialect Coaches can develop a deeper understanding of how actors approach characterization and provide more effective guidance to their clients.

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