论电影音乐
适读人群 ：广大读者 ◆法兰克福学派的“文化工业”批判经典 ◆电影音乐的美学理论典范 ◆大众流行文化研究滥觞之作 本书是关于电影音乐美学本质的经典论述，也是对20世纪文化工业批判的理论经典，从电影配乐实践的具体问题，到社会学和美学分析，都深入而透彻。阿多诺考察了电影和音乐、自然音响和人工合成声音之间的关系，同时探究了新的文化政治可能性。
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