Review from Chris T
Chris T
Rosa has an unique was of teaching, She structure the course in a way, it let us figure out things first before giving us answers, not spoon feeding us. No dry boring lesson , I feel I'm being taught by how & why it 'works'... and not traditionally rigid like many other course out there. Thumbs up & keep up the good work.
Circle of 5ths Level 2 - Intermediate to Advanced
This course takes musicians to apply more advanced music theory into their playing - Tritones, Tritone Chord Substitutions, Jazzy Chromatic Chord Movement, 36251 Turn Arounds.
Review from Chris T
Chris T
Rosa has an unique was of teaching, She structure the course in a way, it let us figure out things first before giving us answers, not spoon feeding us. No dry boring lesson , I feel I'm being taught by how & why it 'works'... and not traditionally rigid like many other course out there. Thumbs up & keep up the good work.
Circle of 5ths Level 2 - Intermediate to Advanced
This course takes musicians to apply more advanced music theory into their playing - Tritones, Tritone Chord Substitutions, Jazzy Chromatic Chord Movement, 36251 Turn Arounds.
It is important for all musicians, whether you play guitar, piano, ukulele, violin, harmonica, or any musical instruments to develop an intimate knowledge of the Circle of 5ths. The Circle of 5ths is a visual picture that tells us the relations between keys, scales, chords, chord progressions, tritones, tritone chord substitutions, pentatonic scales, blues scales, 7 modes of music, etc.
The Tritone chord substitution is one of the most commonly used chord substitutions in jazz. By using tritone chord substitution, you often get a beautiful chromatic bass line in the song and especially in turn arounds.
When it comes to more advanced music theory, students get confused and give up in their struggle to advance in their musicianship.
Here's the secret: Learn to use the Moving Circle of 5ths Dynamically. When you know how to move the circle around to understand Tritones and how the interval is created in the Dominant 7 chords, you will understand why professional musicians do such smooth voicing because they know how to concentrate on the 3rd & 7th tones easily.
In this Circle of 5ths Level 2 course, I will show you how to use the Circle to do Tritone Chord substitutions with Dominant 7 Chords and Minor 7 Chords. In this way, you will have many more options in your music compositions other than the normal Diatonic Chord Progression & Secondary Dominants that you learned in Circle of 5ths Level 1 Course.
When you do Tritone Chord Substitutions, you begin to learn advance music harmonic sounds, and the importance of doing smooth voicing, chromatic bass line chord movement in turn arounds that audience loves to listen to.
In this course, I will also show you when Tritone Chord Substitutions work and when they don't work. There are some rules you need to follow so that you create beautiful harmonic sounds in your piece of music, whether reharmonizing a song or in the writing of your own songs.
You will be doing a lot of assignments so that you learn to find the answer yourself. What you discover sticks with you much more than what you are told. It is easy for me to lay out all the answers and theory for you. What is unique in the course is that I will coach you along to help you think and discover the answers for yourself in a creative way.
The following topics will be covered extensively:
Tritone Chord Substitution
Tritone Wants to Resolve
Tritones in All 12 Dominant 7 Chords
Advanced Harmony: Put in Tritone Chord Substitution
Two Magical Ways to Find the Tritone Chord Substitutions
Tritone Chromatic Movement
Song Application - Little Brown Jug - Putting in Tritone Chord Subs
When To Avoid Doing Tritone Chord Substitution?
Improvisation on ii7 V7 I
Jazzy Turn Around - 3 6 2 5
Formula for the Jazzy Turn Around 3 6 2 5 in C Key
Turn Around in Eb Key - Misty
Improvise on the 3625 Turn Around in all 12 Keys
Tritone Chord Substitution to Minor 7 Chords
Minor 7 Chord Substitutions
Golden Rule of Tritone Chord Subs
Applying Golden Rule to 36251 Progression
Apply Tritone Chord Substitutions to
I'll see you in class,
Rosa
Listen to what some of her students are experiencing in her Circle of 5ths Level 1 Course:
Ivan Bradley
I have been teaching myself to play the ukulele for the past few months but had been struggling to understand which chords went together and why. I was able to play by ear but it was entirely through guesswork. The circle of 5ths really helps you understand how chord progressions work and Rosa's moving version makes so much more sense than a static circle. It's only been a few days since I started the course but I feel that I have a much better understanding of music theory already. Plus Rosa's voice is so pleasant. I really look forward to listening to the videos and playing my ukulele after a long day at work.
Melody Evans
I play guitar, Indian flute, and dulcimer, all by ear. This class is helping me to understand music like I have always wanted to. Don't get me wrong, I love playing by ear; I have just always wanted to also understand music. It is a real time-saver for me when I can refer to my Magic Wheel instead of listening for the note or chord that fits. This has opened up a whole new aspect of music for me. Thank you, thank you.
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Interval of a Tritone - 3 Whole Steps apart
Tritone Intervals
C to F# - Augmented 4th
C to Gb -Diminished 5th
Tritone in V7 Chords
Assignment:
Find the Tritone Interval in G7 Chord - G B D F
What are the 2 tones?
The 2 tones of the Tritone Interval in G7:
Answer: B & F
B - 3rd tone
F - 7th tone
These 2 tones - 3 & 7 - are the most important tones in any chords, whether Major 7, Minor 7, or Dominant 7 Chords.
Tritone interval of G7
3rd Tone - B
7th Tone - F
Tritone Interval of C7
3rd Tone - E
7th Tone Bb
Tritone Interval of F7
3rd Tone: A
7th Tone: Eb
Tritone Interval of Bb7
3rd tone: D
7th tone: Ab
Tritone Interval of Eb7
3rd tone: G
7th tone: D
Tritone Interval of Ab7
3rd tone: C
7th tone: G
Tritone Interval of Db7
3rd tone: F
7th tone: Cb
Tritone Interval of F#7
3rd tone: A#
7th tone: E
Tritone Interval of B7
3rd tone: D#
7th tone: A
Tritone Interval of E7
3rd tone: G#
7th tone: D
Tritone Interval of A7
3rd tone: C#
7th tone: G
Tritone Interval of D7
3rd tone: F#
7th tone: C
V7 Chord & Tritone Chords:
G7 - G B D F
Db7 - Db F Ab Cb (B)
Dominant 7 Chord Movement & Tritone Chord Movement
Dominant 7 Chord Movement
ii7 V7 to Chord I
Tritone Chord Movement
ii7 bII7 to Chord I
Dominant 7 Chord & Tritone Chord
The importance of the 3rd tone and b7 tone.
For eg:
G7
G B D F
1 3 5 b7
Db7
D F Ab B
1 3 5 b7
3rd Tone in G becomes 7th tone in Db7
7th Tone in G becomes 3rd tone in Db7
Chord Progression when Tritone Chord Substitution is put in there:
ii7 - bII7 - I
The bII7 is a dominant seven with a Capital Roman Numeral II, and the "b" signifies that it is a b Key.
Tritone Chord Substitution
Diatonic Chord Movement - Circle of 5th Movement
Non-Diatonic Chord Movement - Chromatic Movement
Tritone Chord Substitution
This b5 Trick is easy to use if you are just playing in one key.
Follow the Secret Tip in the Video.
Tritone Chord Substitution
This Magic Circle Tip is fantastic when you are playing in different keys in song.
Follow my Magic trick.
No Brainer!
Work this out in all 12 Keys!
Tritone Chord Substitution
Follow my Magic Tip when you play in the Band!
Bring your DIY Circle with you!
Tritone Chord Substitution
There are only 6 PAIRS of Tritone Chord Subs!
You can memorize them if you wish.
Once you know the 6 Tritone Chords, you also know the other 6 Tritone Chord Subs.
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