崑曲之美 from Coursera

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第一講：崑曲演出簡史（王安祈教授）

第一講的題目是「崑曲演出簡史」，由台灣大學戲劇學系特聘教授王安祈主講。王教授是台灣著名學者與劇作家，同時也是台灣國光劇團的藝術總監。她將為我們娓娓道來崑曲從晚明至廿一世紀的發展。相信在本堂課之後，各位定能感受到，崑曲能有今天的光芒，全有賴於數百年間歷代從藝者的努力與付出。

第二講：晚明崑曲發展的背景與《牡丹亭》（鄭培凱教授、華瑋教授）

本週的題目是「晚明崑曲發展的背景與《牡丹亭》」，講者是香港城市大學鄭培凱教授及香港中文大學華瑋教授。是次講題將分析明中後期江南的歷史文化，探討崑曲在當時江南取得輝煌成就的緣由。此外，本講也會介紹明清傳奇文本如何演變至崑曲折子戲，並著重賞析《牡丹亭》一劇，讓大家切實感受崑曲的文學與藝術魅力。

第三講：崑曲抒情詩的意境（白先勇教授）

「崑曲之美」課程來到第三週，課題是「崑曲抒情詩的意境」，講者是香港中文大學偉倫人文學科講座教授白先勇先生。白老師是近年兩岸三地重要的崑曲推動者，由他策劃的青春版《牡丹亭》自首演以來大受歡迎，在世界各地巡演超過三百場。白老師將分析中國抒情詩的傳統對崑曲文學藝術性的影響，並以《牡丹亭‧驚夢》的舞臺演出為例，闡述崑曲如何以立體舞臺的歌舞形式呈現抒情文字的意境。

第四講：崑腔音樂與崑唱藝術（周秦教授、張麗真女士）

本週，周秦教授與張麗真老師則將講述「崑腔音樂與崑唱藝術」，介紹崑山腔的起源、發展，以及崑曲音樂結構和崑曲演唱的要點。周秦教授是著名的崑曲學者，同時善於擫笛度曲，2003年應白先勇先生之請擔任青春版《牡丹亭》的首席唱念指導，並曾為多齣新編崑劇擔綱編腔訂譜及唱念教習。張麗真老師則是香港著名的曲唱專家，深諳崑曲曲唱，多年來致力推廣崑曲清唱藝術，並在香港多所大學教授崑曲清唱。

第五講：崑曲生行表演藝術：巾生與小官生（岳美緹女士）

本週講題是「崑曲生行表演藝術：巾生與小官生」，由享負盛名的生行演員──上海崑劇團岳美緹老師主講。她會為我們介紹小生行當中的巾生與小官生，並以《玉簪記‧琴挑》及《牧羊記‧望鄉》為例，示範講解兩個行當「手眼身法步」的表演特點。岳老師是國家一級演員，第四屆中國戲劇梅花獎獲得者，師承京崑藝術大師俞振飛和崑劇傳字輩沈傳芷、朱傳茗、周傳瑛等名家。岳老師不僅是位傑出的表演藝術家，獲獎無數，同時也是位出色的戲曲教育推廣者，曾多次赴世界各地演出、講學以傳揚崑曲藝術。

第六講：崑曲生行表演藝術：大官生與窮生（蔡正仁先生）

本週的講題為「崑曲生行表演藝術：大官生與窮生」，將由上海崑劇團的蔡正仁老師介紹大官生與窮生兩大類的行當特點。蔡老師是著名崑劇表演藝術家，師從京崑藝術大師俞振飛，是第四屆梅花獎獲得者，曾任上海崑劇團團長。蔡老師嗓音寬厚明亮，膛音充足，底氣飽滿，演唱滿宮滿調，感情真摯，代表劇目眾多。

第七講：崑曲旦行表演藝術：閨門旦與正旦（張繼青女士、張靜嫻女士）

本週先由張繼青老師及張靜嫻老師分別為大家講授閨門旦及正旦的藝術特色，並以兩齣崑曲經典折子戲《牡丹亭．尋夢》、《琵琶記．吃糠》為例，讓我們領略旦角豐富多變的內涵。張繼青老師是江蘇省演藝集團崑劇院名譽院長，國家一級演員，榮獲首屆中國戲劇梅花獎榜首，崑劇國家級代表性傳承人，其中尤以「三夢」——〈癡夢〉、〈驚夢〉、〈尋夢〉著稱；張靜嫻老師是上海崑劇團的國家一級演員，是第七屆中國戲劇梅花獎的獲得者，此外更是獲獎無數。她戲路寬廣，扮相端莊，嗓音亮麗，表演風格細膩傳神，剛柔相濟。

第八講：崑曲旦行表演藝術：貼旦、破格的旦行與武旦（梁谷音老師、王芝泉老師）

崑曲角色雖以行當劃分，但為了演活人物，從藝者亦需適時走出規範。如何拿捏當中的分寸，我們可以從本週的「崑曲旦行表演藝術：貼旦、破格的旦行與武旦」略知一二。梁谷音老師會為我們講解示範《孽海記．思凡》的藝術特色，說明她如何博取眾家之長塑造角色性格；此外，她也會以《潘金蓮》和《爛柯山．潑水》為例，展示破格的旦行之美。梁老師是上海崑劇團的國家一級演員，第三屆中國戲劇梅花獎獲得者。師承張傳芳、朱傳茗、沈傳芷等名家，嗓音甜潤，表演細膩，身段嬌媚輕盈。她主演花旦，但正旦、閨門旦俱能勝任。另外，我們邀請了有「武旦皇后」之譽的國寶級崑曲表演藝術家王芝泉老師主講武旦的表演藝術。王老師會向我們講述她學藝的寶貴歷程，亦會細緻分析《西遊記．借扇》的表演特色，並配以她與張銘榮老師合演的珍貴片段以作示範。王老師畢業於上海市戲曲學校第一屆崑劇演員班，工武旦、刀馬旦，師承方傳芸、松雪芳、張傳芳老師。其表演剛柔相濟，打中有做，舞表結合，既追求技巧上的新奇和高難，又著力於人物性格的塑造，具有獨特的藝術風格。曾獲第四屆中國戲劇梅花獎、第三屆上海戲劇節主演一等獎，並當選第三批全國非物質文化遺產項目代表性傳承人。

第九講：崑曲淨行表演藝術：紅淨與武生的融合（侯少奎先生）

本週的講題是「崑曲淨行表演藝術：紅淨與武生的融合」。侯少奎老師將以《單刀會．刀會》為重點，為我們講解示範如何通過眼神、髯口、戲服以及唱念做表塑造神聖而威嚴的關羽。侯少奎老師是著名崑劇表演藝術家、國家一級演員、世界非物質文化遺產傳承人，曾榮獲中國戲劇最高獎、第二屆中國戲劇「梅花獎」。崑曲淨行表演藝術：紅淨與武生的融合

第十講：崑曲末行表演藝術（計鎮華先生）

本週將有另一位國寶級表演藝術家計鎮華老師為我們介紹「老生」行當的分類及藝術特色，並以《長生殿．彈詞》為例，示範講解如何塑造老生角色。計老師是上海崑劇團的國家一級演員，扮相清秀剛正，嗓音蒼勁雄沉，表演重視內心體驗，擅長運用不同的唱念音色以配合人物情感變化，表演精練、傳神，成功塑造了一系列藝術形象。計老師歷年來獲得國內外各項戲劇大獎，包括第四屆中國戲劇梅花獎、第二屆白玉蘭戲劇表演主角獎等，此外更曾赴世界各地講學、教授崑曲藝術。

第十一講：崑曲丑行表演藝術（張銘榮先生）

本週「崑曲之美」將會介紹最後一種行當表演藝術──「丑」。眾所皆知，丑角的插科打諢是調節烘托劇場氣氛的重要手段，不過，除此之外，丑角表演還蘊藏了非常豐厚的藝術內涵，張銘榮老師將為我們一一道來。張老師是著名崑劇表演藝術家、上海崑劇院國家一級演員。張老師文武兼擅，既身懷武丑的精湛武藝，同時具備文丑的幽默風趣，以及出色的嗓音與表演技藝。此外，張老師更能在繼承傳統表演的基礎上，因應時代與劇場的改變來發展固有的表演，深具編導功力。

第十二講：崑曲新美學：傳統與現代（白先勇教授）

如何讓這一擁有六百年歷史的傳統表演藝術在現代舞臺上繼續放光？需要作出怎樣的調整及創新以吸引新一代觀眾？傳統藝術與文化如何轉化成為現代資源？在本學期的最後一講「崑曲新美學：傳統與現代」中，白先勇教授將分享他過去十餘年策劃及製作兩齣崑曲經典《牡丹亭》及《玉簪記》的經驗，帶領我們一起思考探索這些美學與文化問題。

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了解中國歷史與傳統文化，增進人文素養與文化底蘊

深入欣賞中國古典文學、戲劇、音樂、表演藝術

專家學者與表演藝術大師聯合授課

提供豐富多樣的課程內容，涵蓋崑曲歷史、文學、音樂、表演與美學

通过各行當表演藝術家示範講解，直觀領略崑曲藝術魅力

由知名崑曲大師白先勇教授策劃並授課

Reviews summary

賞析崑曲之美

本課程旨在提升學生對中國傳統文化、古典文學和表演藝術的鑑賞能力。課程內容涵蓋崑曲的歷史、文化、文學、音樂、表演和美學，由學者和表演藝術家透過解說和示範講授，幫助學生增進對崑曲的認識，加深對中國古典文學、美學和表演藝術的鑑賞能力，並增進對中國人文精神的感知。

每週的選擇題功課，有助於學生複習課程內容。

課程採用錄像、功課等教學形式，內容豐富多元。

授課老師透過示範講解，讓課程內容更生動有趣。

課程由知名學者、劇作家和藝術總監等專業人士授課，教學品質有保證。

"臺灣大學戲劇學系特聘教授王安祈主講"

"香港城市大學鄭培凱教授及香港中文大學華瑋教授講解"

"香港中文大學偉倫人文學科講座教授白先勇先生闡述"

課程涵蓋崑曲的方方面面，如歷史、文學、音樂、表演和美學。

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分析剧中人物形象和故事情节
体会汤显祖的文学语言和艺术思想

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