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Baudilio Bey Pérez

                                                            You will learn step by step how to create the sound design of a movie completely from scratch, using Cubase. You will learn with real and immersive scenes to edit and use your imagination to build the sound dimension of a completely professional audiovisual production.

            This course is designed for sound lovers who want to know how film sound design is actually done.

                        "Sound is within everyone's reach, there has never been a better time to use this language than now"

Read more

                                                            You will learn step by step how to create the sound design of a movie completely from scratch, using Cubase. You will learn with real and immersive scenes to edit and use your imagination to build the sound dimension of a completely professional audiovisual production.

            This course is designed for sound lovers who want to know how film sound design is actually done.

                        "Sound is within everyone's reach, there has never been a better time to use this language than now"

                                                                                                                                                               Baudilio Bey Perez

        TABLE OF CONTENTS

                                                    MODULE  I

  1. What is Sound Design? - Why does sound design exist?

    • In this lesson you will learn to differentiate between sound design, music production and sound engineering. It is fundamental that you learn why sound design exists and what its objective is in filmmaking.

  2. What equipment should you have?

    • In this lesson you will learn in detail what equipment you need to create a professional sound design. Technology is within our reach much more than ever, but we must learn to choose wisely where to invest our resources to be effective.

  3. Where does the sound come from?

    • In this lesson you will learn where sound sources come from to create a sound design. You will know the different types of microphones used to create a sound design, as well as the recording devices to record the audio in a shoot.

  4. The scene, the screenplay and the sound

    • In this lesson you will learn about sound language as a narrative tool in audiovisual discourse. You need to understand the scope of sound language to represent scenes and emotions in a movie. Sound design requires in-depth knowledge of audiovisual narrative in order to design it creatively and professionally.

                                          MODULE II - CUBASE

      In this Module students will learn the most important aspects of Cubase in order to start working on it.

  5.     Beginning a project

  6.      Getting to Know the Audio Tracks and Tabs

  7.       Adding a video and summary

  8. Cross Under the Moon - The Beginning.

  9. Sound of the Waves - Part I

  10. Sound of the Waves - Part II

  11. Sounds of Water

  12. The Sound of the Cloth

  13. Human groan sound.

  14. Cross Transitions

  15. Some environments

  16. Seagulls / Fauna

  17. The sound of the sand and cloth

  18. Voices

  19. Tips for studio dubbing / Harmonics

                                           MODULE IV

  20. Low Frequencies

    • In this lesson students will learn the importance of low frequencies within the audiovisual language. Sound frequencies are narrative signifiers that trigger emotions in the audience.

  21. The Kontakt System and MIDI technology

    • In this lesson, the student will learn about MIDI and Kontakt technology to enrich sound design with current, dynamic, and powerful special effects.

                                          MODULE V

  22. Sorround 5.1

    • In this lesson, the student learns how the Surround 5.1 system works in order to transfer a mix initially thought of in stereo to the surround system.

  23. Sound Mix

  • In this lesson the student will know the fundamental aspects for the effective mix of a sound design.

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What's inside

Syllabus

Introduction

In this lesson you will learn to differentiate between sound design, music production and sound engineering. It is fundamental that you learn why sound design exists and what its objective is within a film production.

Read more

In this lesson you will learn where sound sources come from to create a sound design. You will know the different types of microphones used to create a sound design, as well as the recording devices to record the audio in a shoot.

In this lesson you will learn about sound language as a narrative tool in audiovisual discourse. You need to understand the scope of sound language to represent scenes and emotions in a movie. Sound design requires in-depth knowledge of audiovisual narrative in order to design it creatively and professionally.

In this lesson you will learn in detail what equipment you need to create a professional sound design. Technology is within our reach much more than ever, but choose wisely in what to invest our resources to be effective.

In this lesson students will learn the importance of low frequencies within the audiovisual language. Sound frequencies are narrative signifiers that activate emotions in the viewer.

En esta lección el estudiante conocerá la tecnología MIDI y el Kontakt para enriquecer el diseño sonoro con efectos especiales actuales, dinámicos y potentes.

Traffic lights

Read about what's good
what should give you pause
and possible dealbreakers
Explores the use of sound as a narrative tool, which is essential for effective storytelling in film and other audiovisual media
Covers the Surround 5.1 system, which is a standard for creating immersive audio experiences in film and other media
Features lessons on using MIDI technology and the Kontakt system, which are useful for creating dynamic and powerful sound effects
Requires Cubase, which may require a separate purchase or subscription, potentially posing a barrier for some students
Teaches how to differentiate between sound design, music production, and sound engineering, which is fundamental for understanding the role of sound in film

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Reviews summary

Step-by-step film sound design with cubase

According to learners (based on the course syllabus), this course offers a step-by-step guide to film sound design using Cubase. Students appreciate the blend of sound theory and practical application, learning how sound serves the narrative before diving into the tools. The course covers a broad range of topics, from basic Cubase setup and specific sound creation techniques to more advanced areas like low frequencies, Kontakt/MIDI, and 5.1 Surround mixing. While it provides a good overall introduction, some find that certain topics, like mixing, could benefit from more in-depth coverage. Learners should be aware that having access to Cubase is essential. The course is seen as a solid starting point for those new to film sound design with this specific software.
Introduces many aspects from basics to advanced
"Covers a wide range of topics, including 5.1 and Kontakt integration."
"Provides a good overview of the entire film sound process from start to mix."
"Touches on many different areas, which is good for getting a sense of the field."
Covers both theory and hands-on application
"Liked learning the 'why' behind sound design before the 'how' in Cubase."
"The mix of narrative theory and practical steps is really effective."
"Helps understand sound's role in film storytelling."
Applies film sound theory using Cubase
"The step-by-step process in Cubase is very helpful and easy to follow."
"Focuses heavily on using Cubase effectively for practical sound design tasks."
"It's a great guide if you want to learn Cubase specifically for film sound."
Good overview but some topics are brief
"Covers a lot of ground but stays at an introductory level for some parts."
"Felt like the mixing techniques could have gone into more detail."
"Some advanced topics felt a bit rushed or only briefly touched upon."
Need Cubase software and potentially equipment
"You absolutely need access to Cubase to follow along and do the exercises."
"Be prepared for potential costs if you lack the recommended equipment or software like Kontakt."
"Assumes you either have Cubase or are willing to get it."

Activities

Be better prepared before your course. Deepen your understanding during and after it. Supplement your coursework and achieve mastery of the topics covered in The Art of Film Sound Design with Cubase with these activities:
The Sound Effects Bible
Provide a strong foundation in sound effects creation and recording techniques before starting the course.
Show steps
  • Acquire a copy of 'The Sound Effects Bible'.
  • Read the chapters on recording techniques.
  • Experiment with recording everyday sounds.
Review Cubase Fundamentals
Ensure a solid understanding of Cubase basics before diving into film sound design.
Browse courses on Cubase
Show steps
  • Review Cubase's interface and basic functions.
  • Practice creating a simple audio project.
  • Familiarize yourself with audio tracks and editing tools.
Record Foley Sounds for a Short Scene
Apply learned techniques by creating custom Foley sounds for a short film scene.
Show steps
  • Select a short film scene (1-2 minutes).
  • Identify key sounds needed for the scene.
  • Record Foley sounds using Cubase.
  • Sync the Foley sounds to the video.
Four other activities
Expand to see all activities and additional details
Show all seven activities
EQ and Compression Exercises
Sharpen your EQ and compression skills, which are crucial for effective sound mixing.
Show steps
  • Download or create audio samples with various issues.
  • Practice using EQ to correct tonal imbalances.
  • Experiment with compression to control dynamics.
Sound Design a Silent Film Scene
Solidify your skills by creating a complete sound design for a silent film scene.
Show steps
  • Find a short silent film clip (3-5 minutes).
  • Plan the sound design elements for the scene.
  • Record or source necessary sound effects.
  • Mix and master the sound design in Cubase.
Designing Sound
Expand your knowledge of sound synthesis and processing techniques.
Show steps
  • Obtain a copy of 'Designing Sound'.
  • Read the chapters on sound synthesis techniques.
  • Experiment with creating sounds using synthesis tools.
Create a Sound Design Portfolio
Showcase your sound design skills by creating a professional portfolio.
Show steps
  • Select your best sound design projects.
  • Create a website or online platform to showcase your work.
  • Write descriptions for each project.
  • Gather feedback and refine your portfolio.

Career center

Learners who complete The Art of Film Sound Design with Cubase will develop knowledge and skills that may be useful to these careers:
Film Sound Designer
A film sound designer is responsible for creating the overall sonic landscape of a film. This involves selecting, creating, and manipulating sounds to enhance the storytelling and emotional impact of the visuals. This course, which teaches how to create film sound design from scratch using Cubase, directly aligns with the core skills needed as a film sound designer. The course covers essential aspects such as differentiating sound design from music production, understanding sound language as a narrative tool, and utilizing equipment effectively. Especially relevant are the modules on Cubase, which goes step by step into sound creation, and its mixing principles, which this course teaches.
Audio Post Production Specialist
An audio post production specialist refines and enhances the audio elements of film or video projects after the initial recording phase. This career involves mixing, editing, and sweetening sound to create a polished and professional final product. Learning how to create sound design for film using Cubase, as taught in this course, provides a solid foundation for audio post production work. The course's coverage of Cubase, including audio tracks, tabs, mixing, and surround sound, are essential for a skilled audio post production specialist. Knowledge of MIDI technology as taught in this course is valuable and will help one stand out in the field.
Sound Editor
A sound editor is responsible for assembling and synchronizing all the audio elements in a film or video production. They work closely with the sound designer and director to ensure a cohesive and impactful soundtrack. This course teaches to create a movie sound design from scratch with Cubase, and prepares one to become a sound editor. The course's lessons on sound sources, microphones, and recording devices enhance the skills of a sound editor. The course's syllabus that highlights the sound of water and the sound of cloth may be useful for understanding the nuances of different sound effects and their creation.
Foley Artist
A foley artist creates everyday sound effects for films and other media in a studio setting, often by manipulating props to match on-screen actions. Mastering the art of film sound design, you will learn in this course how to understand the importance of the auditory dimension of film. This course module on the sounds of water and cloth may be especially useful for a foley artist. Learning the types of microphones used, as taught in this course, is also valuable.
Sound Effects Editor
A sound effects editor creates, edits, and integrates sound effects into films, television shows, and video games. This role requires creativity, technical proficiency, and a deep understanding of sound manipulation. This course helps build a strong foundation for a career as a sound effects editor by teaching how to design sound for film from scratch using Cubase. The course's lessons on sound sources, microphones, and recording devices are also valuable. The coverage of Cubase, MIDI technology with Kontakt, and low frequencies are relevant for creating dynamic sound effects.
Game Audio Designer
A game audio designer creates the soundscape for video games, including sound effects, music, and dialogue. This involves working with game developers to integrate audio seamlessly into the gameplay experience. This course may be useful for a game audio designer, as they will learn how to design a movie from scratch with Cubase. Gaining experience with Kontakt and MIDI technology is especially valuable for creating immersive environments in games.
Audio Engineer
An audio engineer works with the technical aspects of sound during the recording, mixing, and mastering processes. This role requires a strong understanding of acoustics, equipment, and software. This course may be useful for an audio engineer, as they will learn how to create sound designs for film using Cubase. The course's coverage of Cubase, including audio tracks, tabs, mixing, and surround sound, is essential for a skilled audio engineer.
Multimedia Artist
A multimedia artist creates animation, visual effects, and other visual elements for various media, including film, television, and video games. This course may be useful for those wishing to learn the art of sound design. The skills needed to create engaging films would be helpful for a multimedia artist.
Video Editor
A video editor assembles raw footage into a cohesive and compelling final product. This involves cutting, arranging, and adding visual and audio effects to tell a story effectively. This course may be useful for video editors, as it teaches the technical skills and creative concepts they need to enhance their projects. The knowledge of sound and audio editing that is taught by this course may be applied to video projects.
Broadcast Technician
A broadcast technician operates and maintains the equipment used to transmit radio and television programs. This course may be useful for a broadcast technician because it teaches the art of sound design using Cubase, which may be useful for sound mixing. The course provides insights into sound design principles that may be applicable to broadcast settings.
Digital Content Creator
A digital content creator produces engaging content for online platforms, such as videos, podcasts, and social media posts. This course may be useful for a digital content creator, as it teaches the technical skills and creative concepts they need to enhance their projects. Learning the art of sound design will help any sort of digital content.
YouTube Content Creator
A YouTube content creator produces engaging content for online platforms such as YouTube. While many aspects of video creation are important, a key aspect of a professional channel is high quality audio. This course may be useful for a aspiring YouTube content creator, as it teaches the art of sound design using Cubase. The course provides insights into sound design principles that may be applicable to YouTube channels.
Educator
An educator, such as a film professor, is responsible for teaching the fundamentals of film and filmmaking. If looking to educate about the sound and audio aspect of the film process, this course may be useful as you will create a movie sound design from scratch with Cubase. Such an educator could even take on a role as a mentor.
Social Media Manager
A social media manager is responsible for creating and curating content for various social media platforms. This field demands a broad understanding of content creation and how it grabs the viewer's attention. This course may be useful for a successful social media manager as it covers the fundamental aspects of sound design.
Web Designer
A web designer plans, creates, and codes internet sites and web pages, many of which may involve rich media such as video. In order to create such a website, solid video skills are important, and this course may be useful. Although this course does not directly teach video, understanding sound design prepares one for many aspects of video production.

Reading list

We've selected two books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in The Art of Film Sound Design with Cubase.
Comprehensive guide to creating and recording sound effects. It covers a wide range of techniques and equipment, making it an invaluable resource for aspiring sound designers. It provides a solid foundation in sound effects, which is essential for this course. This book is commonly used by industry professionals.
Delves into the technical aspects of sound design, covering synthesis, processing, and spatialization. It provides a deeper understanding of the tools and techniques used in the field. This book is more valuable as additional reading to expand on the course. It is commonly used as a textbook at academic institutions.

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