This is a nuts & bolts look at the app interface and controls for FiLMiC Pro V6. Even if you are already familiar with the app we would still suggest watching this as a refresher before moving on to the "How To" section.

Make sure to download and refer to the included PDF in the Resources section below for recaps of each main segment within this video. Also, be sure to watch for any new features in Section 4 of this course. We add lessons there when new things are released such as Ultra Wide lens compatibility on later iPhones or the updated look and functionality of the Library.

In this segment we go into detail on choosing the shooting resolution, frame rates, shutter speed and ISO settings.

Note: Locking the shutter to set the ISO (and ultimately the exposure) on a smartphone is a very important aspect to understand for shooting professional quality video.

Shooting in low light will cause FiLMiC Pro to increase the ISO and create unwanted video noise. In this example we show how adding light and then keeping the ISO under 100 will produce cleaner, more professional images. And by the way, you don't have to add artificial light like in this example - it could be sunlight or any other kind of light that will help lower the ISO.

PLEASE NOTE: To best see this example make sure the video player is set to 1080 HD (choose setting at the bottom right of the player) and watch in full screen. Also, if viewing on a small screen mobile device it is unlikely you'll be able to see much of a difference in the video noise levels.

Shooting in bright conditions will often cause FiLMiC Pro to increase the shutter to a very fast speed to obtain the proper exposure. This is largely due to the fact that smartphones have fixed apertures and so exposure is set using ISO and the shutter. The big negative to this is the footage will have not have motion blur. To remedy this situation you need to use neutral density filters and try to follow the "180° Shutter Rule" (shutter equals double the frame rate to create ideal motion blur).

FiLMiC pro offers professional level controls to perfect the look of your footage. Our most used are the histogram, zebras and focus peaking.

Note: If when using zebras and the red stripes are present on screen we suggest dialing them back (by manually lowering the exposure) until you can't see them anymore - especially on skin tone. That way this will protect the highlights and help create the most professional looking footage. And always remember to LOCK the white balance!

If you're used to using autofocus on a DSLR or mirrorless camera then you'll really like the Auto Mode autofocus in FiLMiC Pro. And don't forget about sound! FiLMiC Pro offers several great options to record professional quality audio.

Note: We often leave the Auto Mode autofocus on, but LOCK the auto exposure. Exposure shifts are usually a sign of less professional work - along with having poor quality audio (get a good mic!).

The Device tab has several interesting features that can really add professional level functionality to your smartphone.

FiLMiC Pro offers a timelapse mode that can really add (easy & affordable) production value to your video projects.

Here we walk through the steps of how to shoot a simple timelapse using FiLMiC Pro with a photo tripod and an ND filter. In this example we show how a 2 second and 10 second interval setup will each look.

The iPhone 11 introduced an Ultra Wide lens as one of its key features - and not only for photos, but video too. And the iPhone 12 and 13 continued this and has improved that lens/camera. So here we take a look at how the Ultra Wide works with FiLMiC Pro including stabilization along with supported 3-axis gimbals (does the lens see the arm and/or motor?).

Please note: We mention the DJI Osmo Mobile 2 here and not the Osmo Mobile 3 as the latter gimbal was not yet supported by FiLMiC Pro when we shot this (it is now though).

This update is for the iPhone 12 or later ONLY. But it does work on all models... iPhone 12, 12 Pro, 12 Pro Max, 12 Mini and now 13 series phones, too.

With this update you can shoot 10-bit HDR footage with FiLMiC Pro.

See the video link below for sample HDR footage mentioned in the video. Make sure and watch this on an HDR capable screen.

Another great update for FiLMiC Pro and this time to the Cinematographer Kit. You can now shoot 10-bit log footage using LogV3.

This video is a "First Look" at the abilities of this new feature.

One important note is this update is ONLY for iPhone 12 series phones or later, along with select Android devices. This will not work on previous iPhone models.

However, the good news is the venerable LogV2 is still an option and appears it will continue to be. This is still great for shooting log on your phone, too. It shoots in 8-bit color versus 10-bit for the latest devices. And it's also still available on iPhone 12 and later models, so you can choose to shoot with whatever works best for your project.

Now in version 6.16 (or later) Filmic Pro has added "Film Looks".

These are in-app purchase options that allow you to create "looks" in-camera, so that means no post-production color grading (although you might still need to do some exposure or white balance correction depending on how it was shot). Look at these like "filters" that you apply while shooting, but remember, they are a baked-in look and probably best used for social media or quick turnaround jobs.

Yes, finally! We can now swipe left or right to scroll through shots in the FiLMiC Pro Library. This is a great new feature in v6.19 of the app.

You can now shoot 4K 60FPS in ProRes with app version 6.19.3. But please note this feature does require using an iPhone 13 Pro or Pro Max (or later device).

In Filmic Pro version 6.19.3 or later you now have global & local tone mapping controls and so in this lesson we look at what those are with an iPhone and how to best use them to get the highest quality image from Filmic Pro.

Doing automated focus pulls with your smartphone is a really cool feature and something you can easily do to create instant production value.

Being able to externally monitor the video signal from FiLMiC Pro is a great feature and can really make it easier when shooting projects in more professional environments.

One note: You can also use an Apple Watch wirelessly with FiLMiC Pro for monitoring and simple start/stop abilities, however, we don't have one to demonstrate this.

See downloadable PDF below too for further guidance on connecting FiLMiC Pro to FiLMiC Remote.

The Cinematographer Kit is a must-have addition to FiLMiC Pro if you want to unlock the potential of your smartphone and shoot the most cinematic looking footage.

Why a must-have? It allows you to shoot log footage with your phone. Shooting log gives the most dynamic range and then the most latitude in post-production to color grade the footage. And this isn't just for filmmakers and movies. More dynamic range can be a great thing for all types of productions.

NOTE: This video looks at LogV2, but the concepts and applications are the same for the new LogV3 (this update was recently announced for the iPhone 12 series phones, along with select Android devices).

This is a bonus post-production tutorial for those shooting LogV2 with the Cinematographer Kit.

Here we do a general overview of using LUTs to color correct and grade FiLMiC Pro log footage within Adobe Premiere Pro (although the techniques can apply to other software such as Final Cut Pro X, Davinci Resolve, LumaFusion and more). And please note, there are lots of different ways to approach color grading and the end results can be subjective. This method is just one that we've found works for us.

UPDATE: This tutorial is for LogV2, but the techniques will apply to the original LogV1 and to the recently announced 10-bit LogV3 for the iPhone 12 series phones.

If you travel and shoot video in a different country with a different electrical frequency (NTSC 60Hz or PAL 50Hz) then you might encounter flickering in lights. To help prevent this FiLMiC Pro allows you to adjust the shutter frequency.

A hands-on demo setting up both the Beastgrip and Helium Core rigs in cinema-style & mobile journalism configurations.

Please note: This segment is presented in a "real time" fashion so as to demonstrate how quickly (or not) the setups can be built and then disassembled.

Also, keep in mind that phone models change, but the info in this video on how to build out a rig remains the same regardless of the devices.

A hands-on demo setting up two "Everyday Carry" rigs using a Moment case and lenses, along with a Shouldpod and Tarion tripod mounts. Please note: This segment is presented in a "real time" fashion so as to demonstrate how quickly (or not) the setups can be built and then disassembled.

Also, keep in mind that phone models change, but the info in this video on how to build out a rig remains the same regardless of the devices.

A hands-on look at three gimbals that integrate with the FiLMiC Pro app.

UPDATE SEPTEMBER 2020: Please note that there are now newer versions of the DJI gimbal that both work with FiLMiC Pro. The Osmo Mobile 3 and the OM 4. They are more or less the same as the Osmo Mobile 2 gimbal but they fold now and will hold a bit more weight - and hold most lenses better depending on the size (it might need counterweights). We've added links to these in the Additional Resources for those interested. And again, they are now ALL supported within FiLMiC Pro.

Note: If you are an iPhone 11 or 12 user and want to use the Ultra Wide lens on these gimbals then make sure and watch the update video we added to Section 2A for New Features. Basically, the Smooth 4 works the best, the Osmo Mobile 2 works okay and the Movi doesn't work without a lot of hassle utilizing counterweights (if at all).

For detailed info and review videos of more gimbals check out our Gimbal Buyer's Guide on our website (link in Additional Resources below).

A general look at third-party lens choices for varying mobile filmmaking setups.

Please note: For iPhone 11 Pro or 12 Pro users these lenses will work fine on the Wide and Tele, but do NOT work with the Ultra Wide.

FiLMiC Pro best practices for BEFORE, DURING and AFTER your shoot. Make sure and download the PDF version of this list that is available below. And please note, we ALSO include additional Pro Tips, notes and some troubleshooting info that was not mentioned in the video segment (so definitely check it out!).

Note: For Mac users now running iOS 13 and Catalina you no longer use iTunes to transfer files from iOS apps like FiLMiC Pro - you use the Finder for file sharing.

These are the top mobile accessories we recommend to help shoot professional level video with FiLMiC Pro (not including FiLMiC Pro or a smartphone of course). Please refer to the Additional Resources in this section for direct links to these products and others.

Please note: Some of these products might have been discontinued or updated. And so we always try to keep the info and product links updated, but they can change frequently. :)

Produced this short film for the Moment Invitational. Shot on an iPhone XS Max with FiLMiC Pro LogV2 using a PolarPro ND filter and a Movi Cinema Robot.

This is an example of mixing affordable smartphone tech with high-end filmmaking gear. This video was shot on a RED Weapon camera ($45,000 setup) and an iPhone 8 Plus shooting FiLMiC Pro Flat and using a Smooth 4 gimbal (all the dolly/tracking shots are from the iPhone - and later in the video all the close-ups are, too). Using smartphones as B cameras is something we've started to do more and more on our projects like this.

This is an experimental short film shot & edited in only one day. Used an iPhone 8 Plus and the Moment Macro lens

This travel-style video was shot during a July 4th lake party. Used FiLMiC Pro shooting 4K 60fps (for slow motion) with a PolarPro ND filter and a Zhiyun Smooth Q gimbal.