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Gail Swanlund

This course for serious makers, and for students new to imagemaking. Imagemaking is a fluid and exciting area of graphic design that comes out of practice and process: experimenting fearlessly, showing and sharing ideas, and giving and receiving knowledgeable and constructive input.

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This course for serious makers, and for students new to imagemaking. Imagemaking is a fluid and exciting area of graphic design that comes out of practice and process: experimenting fearlessly, showing and sharing ideas, and giving and receiving knowledgeable and constructive input.

For the sake of this online platform, we have applied some structure to our investigations, but for the most part imagemaking is loose and unstructured. If we must adopt a rule in this course it is only this: you will not become a graphic designer by watching videos alone. Or, don't just make stuff just in your head. So here, the focus here is on making, and you are expected to devote serious time and intellectual energy to that activity in this course. Specifically, you will:

- experiment with a range of materials and techniques to make images for graphic design

- expand your visual vocabulary both in terms of making and talking about work, in order to discuss your work and work of others

- learn how to make, manipulate and arrange images to create compositions, eventually culminating in the design and production of an-image-based book.

The first half of the course is an opportunity to experiment and explore imagemaking in order to expand your visual vocabulary. You will create pieces that are expressive, meditative, or 'design-y' to instigate, evoke, experiment, record, explain, or try out a media.

In the second two weeks, we’ll invite the images to deliberately and intentionally carry meaning and communication through relational moves like juxtaposition, composition, and context. We’ll look at developing and expanding the range of approaches for putting things together by composing page spreads with your images. Since nothing exists without context, we look at how to intentionally drive the image’s connotations, meanings, and associations generated through elements of composition and “visual contrasts.” Ultimately, we will take the images that you create and make a book from them.

The results of your assignments (and experiments) may generate something completely unknowable now or in the future—and that's the goal.

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What's inside

Syllabus

Week 1: Image-based Research
Welcome! This week we will introduce image-based research and investigate these images in a design context using a range of techniques. You will then choose a subject of your own to research that will become the basis for your experiments and designs in the coming weeks.
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Traffic lights

Read about what's good
what should give you pause
and possible dealbreakers
Develops and expands range of approaches for putting things together by composing page spreads with images
Experiments with a range of materials and techniques to make images for graphic design
Provides hands-on making and creating process
Taught by Gail Swanlund, who has a strong reputation for work in imagemaking
Builds strong foundation for beginners in image making
Focuses on making and expects students to devote serious time and energy to the activity

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Reviews summary

Experimental hands-on imagemaking process

Learners say this course offers a highly experimental and hands-on approach to imagemaking, deeply emphasizing the creative process and making physical or digital images rather than passive learning. Students often praise the inspiring and unique assignments that encourage exploration and help expand their visual vocabulary. The capstone book project is seen as a challenging yet rewarding culmination. However, some reviewers point out a lack of specific technical guidance, especially concerning software like InDesign needed for the final project, and feel that assignment instructions could be clearer at times. The course is best suited for those comfortable with self-direction and ambiguity.
Requires significant time and effort for making.
"Be prepared to spend a lot of time actually making things; this is not a passive course."
"The course demands serious intellectual energy and time dedicated to creating images."
"The amount of making required means you need to allocate substantial time each week."
"It's a rewarding time investment if you commit to the process."
Prompts encourage creativity and exploration.
"The assignment prompts were incredibly inspiring and pushed me to experiment in new ways."
"Each weekly assignment was thought-provoking and built well towards the final project."
"I found the assignments challenging but rewarding, really helping me develop my own visual language."
"The freedom within the assignments allowed for true creative expression."
Focuses heavily on hands-on making and exploration.
"The hands-on experiments and focus on process were incredibly valuable for expanding my creative thinking."
"I appreciated the emphasis on making things, not just theory. It's very experimental and freeing."
"This course truly makes you dive in and create, encouraging exploration with different materials and techniques."
"The focus is on the journey of making images, which is a refreshing approach."
Quality of reviews from peers varies.
"The quality of peer reviews I received was inconsistent; some were very helpful, others not at all."
"It was often hard to get constructive criticism from fellow students."
"The peer review system could be improved or better guided for participants."
Some instructions could be more precise.
"Sometimes the assignment instructions felt a bit vague or open to too much interpretation."
"More specific guidance on what was expected for grading would have been helpful."
"I occasionally struggled to understand the exact requirements of a task."
"A little more structure in the prompts could benefit beginners."
Minimal guidance on software or digital tools.
"I wish there had been more instruction on using InDesign or similar software for the final project."
"The course doesn't teach you the technical skills for digital production; you need to figure that out."
"If you're looking for software tutorials, this course is not for you. It's purely conceptual and process-based."
"Completing the digital book required learning the software separately, which was a challenge."

Activities

Be better prepared before your course. Deepen your understanding during and after it. Supplement your coursework and achieve mastery of the topics covered in Introduction to Imagemaking with these activities:
Practice creating sample materials
Test your experience with graphic design tools to help refresh these skills for the course and prepare you for the imagemaking exercises.
Browse courses on Imagemaking
Show steps
  • Select an image
  • Experiment with color correction
  • Adjust image settings and crop the image
Create a visual vocabulary sheet
Expand your knowledge of design terms by creating your own visual vocabulary sheet.
Browse courses on Visual Vocabulary
Show steps
  • Create a list of design terms that you're not familiar with
  • Find images that represent each term
  • Create a visual vocabulary sheet with your list of terms and images
Read 'Making Meaning: Rhetoric and the Interpretation of Images' by Gunther Kress and Theo van Leeuwen
Explore the theoretical foundations of imagemaking and visual communication with this comprehensive text.
Show steps
  • Read the introduction and chapter 1
  • Identify the key concepts and theories presented
  • Apply these concepts and theories to your own imagemaking work
Five other activities
Expand to see all activities and additional details
Show all eight activities
Follow tutorials on digital image manipulation
Enhance your imagemaking skills by following guided tutorials and practicing various techniques in digital image manipulation.
Browse courses on Image Manipulation
Show steps
  • Find tutorials on a specific image manipulation technique
  • Follow the steps in the tutorial
  • Practice the technique on your own images
Participate in a peer review session
Engage with classmates to provide and receive feedback on your imagemaking work.
Browse courses on Peer Review
Show steps
  • Present your work to your peers
  • Provide feedback on your peers' work
  • Reflect on the feedback you receive and make revisions to your work
Design and create a series of images that explore a specific theme or concept
Apply your imagemaking and design skills to create a cohesive series of images that convey a specific message or narrative.
Browse courses on Imagemaking
Show steps
  • Brainstorm a theme or concept for your image series
  • Gather inspiration and research visual references
  • Create a storyboard or plan for your image series
  • Design and create your images
  • Compile your images into a cohesive series
Offer to mentor a new student in imagemaking
Contribute to the learning community by sharing your skills and experience with a new student.
Browse courses on Mentoring
Show steps
  • Reach out to a new student who is interested in imagemaking
  • Offer to provide guidance and support
  • Meet regularly to discuss their work and progress
Compile a portfolio of your imagemaking work
Showcase your imagemaking skills and progress by creating a portfolio of your best work.
Browse courses on Portfolio
Show steps
  • Select your best images from your assignments and projects
  • Edit and refine your images for presentation
  • Create a website or online portfolio to display your work

Career center

Learners who complete Introduction to Imagemaking will develop knowledge and skills that may be useful to these careers:
Art Director
Art Directors oversee the visual aspects of various projects, ensuring that the visual elements are consistent with the overall brand and message. To be successful in this role, you need to have a strong understanding of visual composition, image manipulation, and design principles. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing designs.
Graphic designer
Graphic Designers create visual concepts, using computer software or by hand, to communicate ideas that inspire, inform, and captivate consumers. To be successful in this role, you need to have a strong understanding of visual composition, typography, and color theory. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing designs.
Web Designer
Web Designers create and maintain websites. To be successful in this role, you need to have a strong understanding of visual composition, typography, and color theory. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing designs for the web.
User Experience (UX) Designer
UX Designers research, design, and evaluate the user experience of products and services. To be successful in this role, you need to have a strong understanding of visual composition, user research, and interaction design. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create user-friendly interfaces.
Product Designer
Product Designers create and develop new products, from concept to launch. To be successful in this role, you need to have a strong understanding of visual composition, human-centered design, and prototyping. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and user-friendly products.
Marketing Manager
Marketing Managers develop and execute marketing campaigns to promote products or services. To be successful in this role, you need to have a strong understanding of visual composition, branding, and audience research. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and effective marketing materials.
Social Media Manager
Social Media Managers create and manage social media content to engage with audiences and promote brands. To be successful in this role, you need to have a strong understanding of visual composition, social media platforms, and content marketing. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and engaging social media content.
Art Curator
Art Curators research, acquire, and display works of art in museums, galleries, and other public spaces. To be successful in this role, you need to have a strong understanding of art history, visual composition, and exhibition design. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and educational exhibitions.
Photographer
Photographers capture images using cameras to create works of art, document events, or tell stories. To be successful in this role, you need to have a strong understanding of visual composition, lighting, and camera techniques. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and impactful photographs.
Illustrator
Illustrators create visual images to communicate ideas and stories. To be successful in this role, you need to have a strong understanding of visual composition, drawing, and color theory. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and engaging illustrations.
Art teacher
Art Teachers teach students about art and help them develop their artistic skills. To be successful in this role, you need to have a strong understanding of art history, visual composition, and pedagogy. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and educational lesson plans.
Museum Educator
Museum Educators teach visitors about museum collections and exhibitions. To be successful in this role, you need to have a strong understanding of art history, visual composition, and public speaking. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and educational presentations.
Art Librarian
Art Librarians manage and organize art collections in libraries and museums. To be successful in this role, you need to have a strong understanding of art history, visual composition, and library science. This course will provide you with the necessary skills to excel in this field by teaching you how to make, manipulate, and arrange images to create visually appealing and accessible library collections.
Art Therapist
Art Therapists use art to help people express themselves and heal from trauma. To be successful in this role, you need to have a strong understanding of art therapy techniques, visual composition, and human psychology. This course may be useful in providing you with a foundation in visual composition, which can be helpful for creating art therapy exercises and activities.
Interior designer
Interior Designers create and design interior spaces, including homes, offices, and public buildings. To be successful in this role, you need to have a strong understanding of space planning, visual composition, and color theory. This course may be useful in providing you with a foundation in visual composition, which can be helpful for creating visually appealing and functional interior designs.

Reading list

We've selected 35 books that we think will supplement your learning. Use these to develop background knowledge, enrich your coursework, and gain a deeper understanding of the topics covered in Introduction to Imagemaking.
Comprehensive guide to graphic design principles and practices, covering topics such as typography, layout, color theory, and image making. It provides a solid foundation for students and professionals alike.
Provides a comprehensive overview of imagemaking techniques for graphic designers, covering topics such as photography, illustration, and digital manipulation. It valuable resource for students and professionals who want to improve their imagemaking skills.
Comprehensive guide to the principles of design, covering topics such as visual hierarchy, contrast, and repetition. It valuable resource for students and professionals who want to learn how to create effective and visually appealing designs.
Offers a comprehensive guide to information design, covering topics such as user research, data visualization, and typography. It valuable resource for students and professionals who want to learn how to create effective and usable information products.
Offers a comprehensive overview of contemporary photography, including techniques, genres, and the history of the medium. It provides a strong foundation for understanding image-making and its role in graphic design.
This classic work on photography explores the medium's history, theory, and impact on society. It is essential reading for anyone who wants to understand the role of photography in our culture.
Practical guide to grid-based layout design, covering topics such as grid systems, typography, and image placement. It great resource for students and professionals who want to learn how to create effective and visually appealing layouts.
Practical guide to design for non-designers, covering topics such as typography, layout, and color theory. It great resource for students and professionals who want to learn how to create effective and visually appealing designs, even if they don't have a formal design background.
Visually stunning overview of the history and design of books, covering topics such as typography, layout, and binding. It great resource for students and professionals who want to learn about the art of bookmaking.
Collection of essays and articles on graphic design, covering topics such as history, theory, and practice. It valuable resource for students and professionals who want to learn more about the field of graphic design.
This classic work on web usability offers practical advice on how to create websites that are easy to use and navigate. It valuable resource for students and professionals who want to learn how to create effective and user-friendly websites.
Offers a comprehensive guide to visual communication, covering topics such as color theory, typography, and data visualization. It valuable resource for students and professionals who want to learn how to create effective and engaging visual content.
Offers a comprehensive guide to the art of photography, covering topics such as composition, lighting, and post-processing. It valuable resource for students and professionals who want to learn how to create beautiful and meaningful photographs.
Beautifully illustrated overview of the history and design of books, covering topics such as typography, layout, and binding. It great resource for students and professionals who want to learn about the art of bookmaking.
Classic work on the psychology of design, covering topics such as usability, affordance, and feedback. It valuable resource for students and professionals who want to learn how to design products that are both useful and enjoyable to use.
Explores the creative process of photography, with a focus on the role of imagination. It valuable resource for students and professionals who want to learn how to use photography as a medium for self-expression and storytelling.
Provides a valuable introduction to visual research methods. It helps students develop the skills to gather, analyze, and interpret visual data, which is essential for informed decision-making in image-making.
Explores the way we see and interpret images, providing insights into how images can communicate meaning and evoke emotions. It helps students develop their visual literacy and critical thinking skills.
Offers a practical guide to composition and design for photography. It valuable resource for students and professionals who want to learn how to create visually appealing and impactful images.
This comprehensive book provides a detailed overview of the history of photography, from its origins to the present day. It offers valuable insights into the evolution of photographic techniques and their impact on the development of image-making.
Provides a thorough understanding of color theory and its application in graphic design. It helps students develop their color sense and learn how to use color effectively in their designs.
Provides a practical guide to using Adobe InDesign, a leading software for layout and design. It is useful for students who want to learn how to create and format their book designs.
Provides a comprehensive overview of the principles and practices of information design. It covers topics such as data visualization, typography, and layout, and offers practical advice for creating clear and effective information graphics.
Introduces the principles of design thinking, a human-centered approach to problem-solving. It can help students develop their creativity and innovation skills, which are essential for generating novel and effective image-making solutions.
Introduces the basics of digital photography, including camera settings, composition techniques, and post-processing. It valuable resource for students who are new to photography or want to improve their technical skills.
While not specifically about image-making, this book provides essential guidance on clear and effective writing. It can benefit students in developing their ability to communicate their ideas and concepts clearly in their design work.
This classic work on data visualization explores the principles and techniques for effectively communicating quantitative information. Tufte argues that good data visualization should be clear, concise, and visually appealing.
Provides a practical guide to developing creative thinking skills. It offers exercises and techniques to help students generate new ideas, solve problems, and improve their overall creativity.
This classic work on visual thinking explores the psychological processes involved in perceiving and interpreting visual information. Arnheim argues that visual thinking fundamental part of human cognition and that it plays a vital role in our understanding of the world.
Provides a practical guide to developing and maintaining a creative habit. Tharp argues that creativity is not a gift but a skill that can be learned and practiced. She offers exercises and techniques to help students overcome creative blocks and develop a consistent routine of creative work.
Provides a framework for understanding how and why large, established companies often fail to innovate. Christensen argues that these companies are often too focused on their existing products and markets and that they fail to see the potential of new, disruptive technologies.
Provides a comprehensive overview of the principles of design. It covers a wide range of topics, from color theory to typography to layout. It offers practical tips and techniques for creating effective and engaging designs.

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